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Following the disappointing commercial performance of the dance-oriented Hot Space in 1982, Queen took 1983 off to get refocused and work on a follow-up that would put the band back on track. While the songwriting had definitely improved on the resulting The Works in 1984, the album sonically lacked the punch of such earlier releases as News of the World and The Game (strangely, Hot Space even had a better overall sound)…

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.

The Singles Collection, Vol. 2 contains CD replicas of the 13 singles Queen released between 1979 and 1984, a five-year span when the band was one of the biggest acts in the world…

Like its parent film, T2 Trainspotting’s soundtrack eschews cosy Cool Britannia nostalgia for something weirder and better. The original soundtrack was a sharp mix of cult classics and of-the-moment artists. Rather than get Blur and co back, Danny Boyle has called on a more leftfield lineup of young guns, the likes of Mercury-winning Edinburgh alt hip-hop trio Young Fathers, Brixton scuzz rockers Fat White Family and deliciously demented Irish rappers Rubberbandits. The classic side of things is held up by Queen, Run DMC, Blondie and more, with the whole bookended by Trainspotting’s biggest tracks reborn: a mad-dog Prodigy remix of Iggy’s Lust for Life and Underworld’s Slow Slippy. In our retromaniac world, it might not attain the original’s classic status, but it’s all the better for its bravery. (The Guardian)

The second volume of Queen’s Greatest Hits appeared a decade after the first; a decade after the group started its slow shift from international superstars toward ruling the world that existed outside of the United States. Apart from “Under Pressure” and “Radio Ga Ga,” all of the 17 singles here did not crack the American Top 40, but they’re well-known throughout the world, particularly the operatic anthems “A Kind of Magic,” “I Want It All,” “I Want to Break Free,” and “Who Wants to Live Forever.” Generally, the songs here favor melodrama to untrammeled rock & roll, which means while there’s nothing here that hits as hard as “Tie Your Mother Down”; there’s also nothing as light on its feet as “Crazy Little Thing Called Love,” either. This is not necessarily a bad thing: nobody scaled the dramatic heights like Queen, and this captures their pomp & circumstance at its most polished.

2003 reissue with 4 bonus tracks.
The posthumously released, two-disc Live at Wembley '86 proves once and for all that Queen was a superior live band, and like the Beatles, the Stones, etc., had far too many hits to fit into a two-hour show. Recorded in their native England at the gigantic Wembley Stadium on their A Kind of Magic tour, the group was at their peak of popularity back home. This would, unfortunately, turn out to be the band's last tour, and it showed the group including old rock & roll covers, classics, then-current songs, improv, and overlooked album tracks. Queen opens up the show with the near-heavy-metal roar of "One Vision," and adds lively renditions of the well-known "Tie Your Mother Down," the David Bowie collaboration "Under Pressure," and their very first hit, "Seven Seas of Rhye"…