01 Rhapsody Concerto I. Moderato

The story of the discovery and resurrection of Britten's Double Concerto for Violin and Viola is one of those rare moments of musicological spice that can capture the interest of even the more casual music love. Unlike it, the Violin Concerto Op. 15 found itself thrust onto the world stage of music right away, it's genesis having been rather straightforward - if hardly smooth. Winner of the first prize of the Queen Elisabeth Competition (2001) Baiba Skride displays a natural approach to music-making that has endeared her to many of today's most prestigious conductors and orchestras worldwide. She performs the Double Concerto with violist Ivan Vukcevic, who has appeared in some of the most important venues and festivals in Europe. They are accompanied by the ORF Vienna Radio Symphony Orchestra conducted by Marin Alsop, whose performances won her many Gramophone Awards.

The story of the discovery and resurrection of Britten's Double Concerto for Violin and Viola is one of those rare moments of musicological spice that can capture the interest of even the more casual music love. Unlike it, the Violin Concerto Op. 15 found itself thrust onto the world stage of music right away, it's genesis having been rather straightforward - if hardly smooth. Winner of the first prize of the Queen Elisabeth Competition (2001) Baiba Skride displays a natural approach to music-making that has endeared her to many of today's most prestigious conductors and orchestras worldwide. She performs the Double Concerto with violist Ivan Vukcevic, who has appeared in some of the most important venues and festivals in Europe. They are accompanied by the ORF Vienna Radio Symphony Orchestra conducted by Marin Alsop, whose performances won her many Gramophone Awards.

The Van Cliburn Complete Album Collection brings together, for the first time, all of the live and studio recordings the legendary pianist made for RCA. Beginning with his 1958 debut recording of Tchaikovsky’s Piano Concerto No.1, the Complete Album Collection features his personal selections of favorite Chopin, Brahms and Debussy pieces, selections from his 1972 Moscow performances, his popular album of Favorite Encores plus his last recording for RCA of Brahms pieces.

This 10-CD set wowed audiences when it first appeared in 1992, and with good reason – although music scholars and classical record collectors were well aware of it, the general classical audience of the late twentieth century likely had no inkling of how extensively Rachmaninov had recorded and otherwise preserved aspects of his playing and performances (in addition to his actual recordings, there were also the piano rolls that he did for the American Piano Company, which are a matter separate from this collection, and transcribed and released by Decca/London Records on CD).

As part of Deutsche Grammophon’s release of a limited and numbered edition of Claudio Abbado’s complete recordings for DG, Decca and Philips, you can now enjoy Volume 11 in a series of 16 digital albums, which are organised in alphabetical order of composer name. This eleventh digital album presents music by Prokofiev, Rachmaninoff and Ravel.

Kiril Kondrashin was perhaps the greatest conductor to emerge from the Soviet Union. Trained at the Moscow Conervatory, he led most of the Soviet Union's great orchestras although he is most well-known for his stints at the Bolshoi Theater and as principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1976. He defected to the west in 1979 during a tour in Holland. He was immediately named a principal conductor alongside Bernard Haitink to the Royal Concertgebouw Orchestra.
This massive six-disc compilation covers some of the best of Kondrashin's work while behind the iron curtain. It includes no less than four of Prokofiev's major works: the First and Third Piano Concertos, the Second Violin Concerto, and the October Cantata, Op. 74, a work for which he gave the original premiere performance in 1966.

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.