The only album of this amazing Swedish band was released in 1973 on Harvest label and consisted truly powerful collection of largely instrumental and improvised heavy progressive music, characterized by catchy and adventurous melodies, massive, powerful and fluid guitar playing, very solid and inventive drumming, fine keyboards phrases and nice sax and flute passages. lt’s worth noting that of the five tracks, only two lasted less than 7 minutes. In sharp contrast to rather ugly and slightly disgusting cover the Panta Rei’s music was very matured and truly excellent. lt’s an album which can't be missed! This CD was carefully remastered from the original, analogue source and now sounds great!
Cervello are another example of a seventies Italian prog band who only managed to release one album. They formed in Naples in 1972 and quickly appeared at a number of festivals including the Palermo Pop Festival. They had a connection with Osanna as Corrado Rustici (guitar and flute) was the brother of Danilo Rustici, their guitarist. As well as family ties Cervello also occupied similar musical territory to Osanna. A high standard of musicianship is present on "Melos" and they should appeal to fans that enjoy the wilder excesses of RPI, not only Osanna but the likes Il Balletto di Bronzo and Raccomandata con Ricevuta di Ritorno. They combine a fairly eclectic blend of musical styles ranging from acoustic folk, occasional avant moments to more bombastic instrumental workouts. The excellent guitar work of Rustici display's a John McLaughlin influence at times. Notable is the absence of keyboards, in their place sax and flute playing a more prominent role.
The son of Bad Company is what this debut by the band Sharks resembles, lead vocalist Snips sounding like he gargled with Kim Carnes and Paul Rodgers' mouthwash, that gravel voice Rod Stewart made the most of accompanied here by guitar great Chris Spedding, drummer Marty Simon, and bassist Andy Fraser from the group Free. This self-titled debut doesn't have the groove of their 1974 release, Jab It in Yore Eye, despite four of the nine songs written by Fraser (replaced by Busta Cherry Jones on the follow-up), including "Doctor Love," a song Leslie West covered for his The Great Fatsby album, generating some early validation for this work.
Ever since Freddie Mercury's passing in 1991, fans have seen countless Queen compilations and reissues come their way. And in early 2011, another one arrived, Deep Cuts 1973-1976. As its title suggests, the 14-track compilation is comprised of tunes that were not hits (in other words, don't expect the likes of "Killer Queen," "Bohemian Rhapsody," etc.). But as longtime Queen admirers know, Queen was always an "album rock band," meaning that many of their albums were all killer-no filler from beginning to end. So as a result, many of their uncommon tracks were quite strong on their own…
REO Speedwagon began to come into its own with its third album, Ridin' the Storm Out. Over the years, the record became a platinum-seller, due to the strength of their series of opening shows for more successful rock acts, but it originally charted at number 171. While the group still had elements of their bar band boogie, they began to streamline their approach on this album. Although it only resulted in one minor hit, with the title track scraping the bottom of the singles charts, the record was one of their most consistent efforts.
Esoteric Recordings are pleased to announce the release of a newly re-mastered edition of the classic album Atem by Tangerine Dream. Released in 1973, the album was the band’s last release on the Berlin based OHR label and heralded the beginning of Tangerine Dream’s wider international acclaim. Championed by DJ John Peel, Atem enjoyed success outside of Germany and eventually led to the group signing to the newly formed Virgin label. This Esoteric reactive edition is expanded to include a bonus CD of a previously unreleased forty minute live performance given by Tangerine Dream at the Deutschlandhalle in Berlin on November 29th 1973 and features a lavishly illustrated deluxe booklet with new essay.
Two guitar giants. A collective band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album, commonly referred to as the equivalent of aural nirvana. Still the only meeting of Santana and John McLaughlin, Love Devotion Surrender more than lives up to the promise offered by its principal creators as it’s a spiritual journey based in divine faith, religious toleration, and the forward-thinking philosophy that music can take us closer to the truth. These enlightening concepts are reflected in the playing of Santana and McLaughlin, who repeatedly hit a higher plane on this stunning 1973 set…
Originally recorded in 1973, Green Desert did not see the light of day until it was remixed and released as part of the In the Beginning box set in 1986, then as its own album later the same year. It is difficult to ascertain how radical this release is from the original recording, but as it stands, it is a logical step between the rawer-produced Atem to the ambient/sequencer-driven style of Phaedra. A key element of this is attributable to Edgar Froese's guitar playing on the title track, an unhurried solo that lasts only about five minutes in the nearly 20-minute piece, yet is easily the most memorable part of the entire song. None of the three shorter songs are as dynamic as the first, each containing a keyboard melody played over synthesized noises and the rhythms of drums, sequencers, or a series of chords.
The most successful Hungarian rock band in history, Omega is one of the rare bands to have been known outside in his country. The legend has it that as albums were released in other countries it became necessary to brake the language barrier. Their music is a combination of Eastern European prog with a bit of symphonic and a bit of psyche prog. The result is a dark orchestrated sound combined with extended improvisation. Their discography actually starts in the early 60's, and goes in till today in a more modern register.