Shadowfax. Nice name for a progressive rock band. At least that's how they started off. Named after Gandalf's a horse in Tolkien's The Lord Of The Rings. They are often classified as new age, but their first album really wasn't, it was rather quite like a more rocking version of Oregon and had a mixture of hard and soft songs. And really their latter albums weren't completely although they lost some of their harder edge and devoted themselves to more mellow fair…
The second night of the 1989 reunion in New York of the 1961-1962 Jimmy Giuffre 3 with pianist Paul Bley and (now electric) bassist Steve Swallow in some ways eclipses the first. The fact that there is more integration between the trio members as a whole than on the first evening is certainly one place to start. At the very beginning, "Sensing" – with Giuffre on soprano and Bley playing bass notes in the lowest register as Swallow enters and takes over the role and Bley moves to the middle – is a stunner, though it is only four minutes and 13 seconds long.
Described by songwriter Stephin Merritt as "my folk album", the instrumentation of Realism is largely acoustic, stark in contrast to the band's previous album, Distortion, released in 2008. Merritt said he "thought of the two records as a pair" and considered titling the albums True and False; ultimately, he couldn't decide which title would correspond with which album.
The Smoker You Drink, the Player You Get is the second album by Joe Walsh and his band Barnstorm, released in 1973 (see 1973 in music), although the album's front cover (right) credits only Walsh. It proved to be his commercial breakthrough, largely on the strength of the Top 40 hit single, "Rocky Mountain Way", which helped propel the album into the Top 10.
In 1937, vibraphonist Lionel Hampton began leading a series of all-star swing recording dates. Although he would still be a member of Benny Goodman's organization for another three years, Hampton was a natural-born leader and his record dates featured top sidemen from a variety of major jazz bands. This CD begins the chronological reissue of all of this music (except alternate takes). Hampton is teamed with players from the Benny Goodman and Duke Ellington orchestras plus a large assortment of guests. Among the many highlights are "Hampton Stomp" (featuring Hampton playing rapid lines on the piano with two fingers), "Stompology," Johnny Hodges on "On the Sunny Side of the Street," and some good spots for Jonah Jones' trumpet.