24 Bit Hi Res

A comprehensive collection of Sakamoto’s instrumental songs and film music from a master of Minimalist piano.

London-based composer Matt Dibble tragically passed away in 2021 shortly after completing his 24 Preludes and Fugues for solo piano. His death, attributed to complications from the AstraZeneca Covid-19 vaccination, left a void in the classical, jazz, and pop music scenes where he was beloved and respected. Dibble’s compositions showcased his remarkable versatility, blending neo-Baroque, jazz, pop, and modernist influences into a deeply personal collection crafted over six years.

Flores de Musica pera o instrumento de tecla & harpa is the only known work of Portugese composer Manuel Rodrigues Coelho. Printed in Lisbon in 1620 and boasting more than five hundred pages, Coelho’s Flores de Musica is one of the largest music works printed in the seventeenth century.

The GENUIN debut album of Moscow-born and Hamburg-based pianist Elizaveta Don brings together "Préludes" by three great composers: Claude Debussy, Dmitri Shostakovich, and the lesser-known yet equally significant works by Frank Martin. Elizaveta Don's words about the "Préludes" of the great Swiss composer also apply to the tiny treasures of the other two composers: they are "a journey through uncertainty and hope, reality and surrealism, irony and tragedies." What a stroke of luck for us: We get to embark on nearly forty of these journeys, guided by Elizaveta Don, ensuring the highest musical experience possible!

Hampton Hawes, “For Real!” was recorded in 1958 but not released on the Contemporary Records label until 1961. Featuring Hawes (piano) alongside Harold Land (tenor sax), Scott LaFaro (bass) and Frank Butler (drums) the album incudes a mixture of both jazz standards and originals. This new edition features remastered hi-res audio from the original tapes.

With this recital dedicated to German songs by Joseph Haydn, Alice Foccroulle and Pierre Gallon leave their familiar territory - that of Baroque music - and present a personal, thoroughly informed interpretation of these songs, free of the many layers of varnish that have built up over the centuries on these little treasures of vocal music. It is free of the many layers of varnish that have been applied to these little treasures of vocal music over the centuries.

After the dearth of major festivals in the middle of the weeks following Trinity Sunday, the end of the Lutheran church year sees two important ones, the feast of St. Michael and All Angels and Reformation Day. Both fall on fixed dates, so that their position in relation to the numbered Sundays after Trinity varies from year to year. Reformation Day celebrates Martin Luther’s historic nailing of his 95 Theses to the door of the church of Wittenberg Castle, and it is observed on the anniversary of the event, 31 October (except in a few places which chose to do so on the Sunday following that date).

The Smoothies provide a smooth blend of classic and contemporary soul. The album delivers heartfelt melodies, rich harmonies, and groovy rhythms that evoke both nostalgia and fresh vibes.

Since their inaugural presentation, Paganini’s Twenty-Four Caprices have consistently garnered admiration from audiences, with their mesmerizing effect attributed to the exceptional technical proficiency demanded of the performer. Conversely, it is uncommon for performers to project anything other than their own instrumental excellence, with the technical content of the performance becoming the primary focus for listeners. François Sochard, concertmaster of the Orchestre de chambre de Lausanne, has risen to the challenge with his first solo album, which is as sensitive as it is daring.

The Ukrainian pianist explores Scriabin’s intoxicating music.