Retrospective: The Best of Suzanne Vega is essentially A&M's updated version of their 1999 issue, The Best of Suzanne Vega: Tried and True, adding "Tired of Sleeping" from Vega's Days of Open Hand, "Calypso" and "Solitude Standing" from Solitude Standing, "(I'll Never Be) Your Maggie May" and "Penitent" from the 2001 recording Songs in Red and Gray, and "Woman on the Tier (I'll See You Through)" from the Dead Man Walking soundtrack. Unfortunately, A&M chose to drop "Book and Cover" from the track listing, which was only previously available on The Best of Suzanne Vega: Tried and True, but the overall collection feels a little bit more hearty with a total of 21 tracks instead of 17.
Singer/songwriter and multi-instrumentalist Loreena McKennitt is one of Canada's most beloved national artists, a folk chanteuse, and a new age troubadour who made her breakthrough in the mid-'80s with her literate and oft-experimental focus on Celtic-tinged traditional and original material, coupled with her haunting harp playing. As her career progressed, McKennitt began incorporating Spanish, Galician, and Arabic themes into her repertoire, culminating in a trio of career-defining albums – The Visit, The Mask and Mirror, and The Book of Secrets – that made her an international star. McKennitt went on a long hiatus after the tragic death of her fiance in 1998, but returned to the studio in 2006 with the acclaimed The Book of Secrets, followed by a string of EP's and concert and studio albums, with highlights arriving via 2010's trad-Celtic LP The Wind That Shakes the Barley and 2018's inward looking Lost Souls.
18 hits including Mighty Quinn, Ha Ha the Clown, the Vicar's Daughter, I Wanna Be Rich and more. This is the definitive compilation covering the Mike D'Abo era. This compilation is book-ended by two Bob Dylan songs (Mighty Quinn, Just like a woman), both of which were among the seven top ten UK hits that Manfred Mann clocked up with Mike D'Abo as lead singer between 1966 and 1969 following the departure of the original lead singer, Paul Jones.
Like fellow Aussies the Sherbs, Zoot never escaped teen-star status. But as Zoot Locker proves, they were certainly adapt at churning out clever pop tracks. Because of their time period, Zoot used every trick in the psychedelic book; but most songs maintain the three-minute mark, resulting in shrewd and skewered singles much like the Move delivered. Innocent innocuousness such as "Monty & Me" about walking the dog or "One Times Two Times Three Times Four" seems unfairly buried in the past. Of course, Beatles nods abound, such as the Lennon-isms of "Hey Pinky." With this smoking version of "Eleanor Rigby" the quartet attempted to jettison their early "pink" image, jumping aboard the bizarre "heavy covers" bandwagon with Vanilla Fudge and Rare Earth. The Hollies are another pervasive influence ("Flying" shares rhyme schemes with "Dear Eloise" over a "Helter Skelter" riff) while "Mr Songwriter" echoes the Byrds by way of Dylan. "Freak" foreshadows "Highway Star" and many Sweet moments.
These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 includes 90 tracks across six CDs, a compilation live DVD, a 36-page hardcover book featuring a new interview with Parker and an overview written by Holly A. Hughes, plus a poster and three postcards.. These Dreams Will Never Sleep, The Best Of, 1976-2015 celebrates the incredible 40 year career of one of Britain's most seminal songwriters - Graham Parker. The 124 track box consists of three anthology discs with some of Graham's best loved recorded work as a solo artist and with The Rumour - one of the UK's pioneering pre-punk bands. The Live At The BBC 19 track disc includes very rare, choice picks from Graham Parker & The Rumour's 1979 Live At Hammersmith Odeon show, and Live From BBC Sight and Sound in 1977. Discs five and six are Live From The London Forum, these never before heard recordings are taken from Graham Parker & The Rumour's last ever live show in 2015, and also feature the legendary Rumour Brass Section for the first time since 1980.
With Bo Diddley's various hits and anthology packages all out of print and the multi-disc deluxe box set out of pocketbook reach for most casual consumers, MCA finally comes up with a 20-track compilation that hits the bull's-eye and makes this rock pioneer's best and most influential work available to everyone. The song list reads like a primer for '60s British R&B and '90s blues bands: "Bo Diddley," "I'm a Man," "Diddley Daddy," "Pretty Thing," "Before You Accuse Me," "Hey! Bo Diddley," "Who Do You Love," "Mona," and "Roadrunner" are the tracks that made the legend and put his sound on the map worldwide. The transfers used on this set are exemplary, the majority of them utilizing masters that have a few extra seconds (or more) appended to the fades, which will cause even hardliners to hear these old standards with fresh ears; especially revelatory are the "long versions" of "I Can Tell" and "You Can't Judge a Book by Its Cover."
Collectables Records' two-fer CD Ring Around Rosie/Hollywood's Best, credited to Rosemary Clooney "& Friends," combines the singer's first and last album projects for Columbia Records. Hollywood's Best, which paired her with Harry James' trumpet, was first released as an eight-song, 10" LP in 1952 (it was later expanded to a 12-track, 12" LP). Ring Around Rosie, from 1957, matched her up with the jazzy vocal group the Hi-Lo's. These two albums also were Clooney's only ones to reach the Billboard pop charts during the 1950s: Hollywood's Best peaked at number three in 1953, and Ring Around Rosie went to number 14 four years later. As a 24-track, 70-minute CD, the collection is a mixed bag…