On stage, Perry earned a reputation as a mesmerizing performer who plays with passion and excitement. Perry's rousing, crowd-pleasing performance at the Bishopstock Blues Festival in England in 1999 sparked the interest of Blind Pig Records and eventually led to a recording contract. The first album for Blind Pig, Fire It Up, was co-produced by Jimmy Vivino of "The Conan O'Brien Show" and released in 2001. His next CD for Blind Pig, Crazy Kind Of Life, was released in October 2002. Perry and co-producer Vivino wrote all the songs, with the exception of the Rolling Stones chestnut "No Expectations," on which special guest Richie Havens interprets one of the best blues tunes ever to come out of the rock idiom. Billboard called it, "An exceptional outing for guitarist/vocalist Bill Perry. He has definitely hit his stride as a solo artist."
First off, Kenny Wayne Shepherd was 33 years old at the release of this album, so he’s not a kid playing hot guitar anymore, he’s a grown man doing it. And he does play a hot lead guitar – that, in a nutshell, is what he does. But over the years he’s also learned that the blues isn’t just about blazing lead licks, it’s also about letting the song say its say – and on Live! In Chicago he does that. This is a concert full of songs and not just a bunch of guitar leads broken up by someone singing for a bit. Shepherd is also fully aware of the history of the blues and he honors some of his heroes here by playing with blues legends like Hubert Sumlin, Willie “Big Eyes” Smith, Bryan Lee and Buddy Flett and he doesn’t step all over them with his guitar playing – he supports them. The concert grew out of the tour Shepherd put together in support of 10 Days Out: Blues from the Backroads project, a DVD/CD documentary that featured Shepherd traveling around the country on a ten day trip interviewing and playing with icons from the blues world, including the surviving members of Muddy Waters' and Howlin' Wolf's bands, making this show, recorded at the House of Blues in Chicago, a kind of culmination.
Bill Perry's newest release, Don't Know Nothin' About Love, finds him reunited with producer extraordinaire Popa Chubby. Bill tears it up on a program consisting of eight new originals and three covers, including a rock-the-house version of "Hello Josephine." Once again, producer and artist have collaborated to craft a splendid showcase for Bill's incendiary guitar playing and songwriting prowess. Bill notes that "working with Chubby has really let me come into my own as a recording artist; the guy's a genius in the studio whose enthusiasm gets everybody going."
As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era…