Amber Mark

Amber's debut album arrives almost 4 years after the release of her second EP 'Conexao', an extended process that has proved central to its thematic development. The 17 track album can be divided into three main acts that follow the arc of Amber's personal and musical development; WITHOUT, WITHHELD and WITHIN. Amber's debut album is simultaneously a profound concept album and a love letter to herself, richly intertwining messages of self-worth and reflections on the universe beneath a veneer of shimmering pop.

New York based singer, songwriter and producer Amber Mark announces details of her long-awaited debut album ‘Three Dimensions Deep’, out January 28th via EMI/PMR Records.

Forever Amber is a 1947 American romantic drama Technicolor film starring Linda Darnell and Cornel Wilde. It was based on the book of the same name by Kathleen Winsor. It also starred Richard Greene, George Sanders, Glenn Langan, Richard Haydn, and Jessica Tandy. The film was adapted by Jerome Cady, Philip Dunne and Ring Lardner, Jr., and directed by Otto Preminger. The film's score, by composer David Raksin, was nominated for the Academy Award for Original Music Score.

In seeking the right song for Reminiscence - one that would encapsulate the film’s scope and tone and capture the spirit of the movie and the characters - Joy connected with her good friend and collaborator, Grammy-nominated producer Jeff “Gitty” Gitelman. Gitelman is an incredible artist, musician, producer, and songwriter, known for his work and instrumentation for J. Cole, H.E.R., Mac Miller, and Anderson Pak. He was also nominated for a Grammy Award for Album of the Year for his work on H.E.R.’s 2019 Album I Used To Know Her.Gitelman watched the film and immediately reached out to artist and songwriter Lonr., and the two dove into working together on a song. When Joy first heard the song produced from those sessions, “Save My Love” by Lonr. (Feat. Amber Mark), she knew the song and these artists were a perfect fit for the film. The song had the musical traits she had envisioned - an epic yet romantic quality, and a certain swagger befitting the film’s star Hugh Jackman’s character, Nick Bannister. It had the crucial features of being both catchy and “sticky” – and also connected to the film’s themes about memory and how music and songs play out in life. The instrumentation was especially key, and it fulfilled Joy’s need for an international essence in its tonalities, so as to seamlessly integrate and springboard off of the film’s striking score.

Fueled by the momentum generated from two landmark 2017 group efforts – the Wingfield-Reuter-Stavi-Sirkis quartet's magical ""The Stone House,"" and the leaned down Wingfield-Reuter-Sirkus trio effort, the potent ""Lighthouse"" (both critically acclaimed works of extraordinary creativity and vision) – Mark Wingfield's sophomore effort for MoonJune Records launches into the cosmos, from the space station where his stellar MJR debut, 2015's ""Proof of Light,"" docked! Rejoined by the sublime rhythmic engine of Yaron Stavi, on fretless bass, and supreme drummer, Asaf Sirkis, the innovative guitar impressionist carries his unprecedented expansion of the electric guitar's sonic palette of sound and expression into further uncharted dimensions. The session is augmented by a guest appearance from fellow MoonJune artist, keyboardist Dominic Vantomme, whose tasty synth work decorates four selections.