Andrei Chopin

From the Minute Waltz to the Military Polonaise these 25 tracks display the inimitable master composer for the piano at his best in performances from some of the greatest Chopin interpreters: Martha Argerich, Emil Gilels, Maria João Pires, Maurizio Pollini, Yundi and more.

This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season.

Not very forthcoming as a person, Chopin reserved for the piano alone the secret – rather than the confidences or confessions – of his inner being. It is as if the piano were his double, resonating in harmony with his sensibility and receiving his feelings, his impressions, even his hallucinations.

The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.

A special limited-edition 50 CD set of the world's favourite piano concertos, sonatas and other solo pieces. A host of famous pianists perform music from J.S.Bach to Tchaikovsky, Rachmaninov, Prokofiev and Gershwin. This collection of discs includes the five Beethoven Concertos, three Rachmaninov Concertos as well as concertos by Brahms, Grieg, Mendelssohn, Liszt, Schumann and Ravel as well as six Mozart Concertos.

In a few years this will be a mere curiosity, not the abomination of marketing that it now seems. David Helfgott, one hopes, will be happily retired on the earnings from his 15 minutes of fame, and the movie Shine which documented his mental illness and aborted an attempt at a professional pianist career will be consigned to the video rental shelves. But for now, unfortunately, we have before us a document of a pianist whose fingers and imagination have not developed singly nor in the amalgam necessary to be considered an artist.