A masterpiece from Gene Harris an album that’s probably been his biggest influence on the sound of soul in the 21st Century, and for good reason too! The set moves way beyond both Harris’ acoustic piano roots in the Three Sounds, and his other electric sides of the 70s into sublime spacey territory that’s wrapped up in soul – as much a pinnacle of his musical vision as early 70s records were for Herbie Hancock or George Duke! The vibe here is a bit between the looser styles of Duke’s MPS recordings, and the tighter grooves of the Mizell generation and arrangements are by Harris, Harvey Mason, and Jerry Peters, the latter of whom really adds some great elements to the record.
Although they were never major influences, both Flip Phillips and Charlie Ventura had their moments of fame and were entertaining and hard-swinging tenor saxophonists. This 1998 limited-edition six-CD box set from Mosaic is typically wondrous with quite a few little-heard gems included among the 116 selections (five previously unreleased, three of which are alternate takes). The first two CDs feature Charlie Ventura during 1951-1954, right after his "Bop for the People" band broke up.
A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Take Twelve was trumpeter Lee Morgan's only recording during an off-period that lasted from mid-1961 to late 1963. Morgan (who sounds in fine form) leads a quintet with tenor saxophonist Clifford Jordan, pianist Barry Harris, bassist Bob Cranshaw and drummer Louis Hayes through four of his originals, Jordan's "Little Spain," and the title cut, an Elmo Hope composition. The superior material uplifts the set from being a mere "blowing" date but it generally has the spontaneity of a jam session. It's one of Lee Morgan's lesser-known dates.
Carl Gustav Jung (German: 26 July 1875 – 6 June 1961) was a Swiss psychiatrist and psychoanalyst who founded analytical psychology. …
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.