Anne Heintze

Therapy is the second studio album by British singer Anne-Marie. It was released on 23 July 2021, through Major Tom's and Asylum Records. The album serves as a follow-up to her debut album Speak Your Mind (2018), with the album containing guest appearances by KSI, Digital Farm Animals, Little Mix, Niall Horan, Nathan Dawe, MoStack, and Rudimental. The album was supported by four singles: "Don't Play", "Way Too Long", "Our Song", and "Kiss My (Uh-Oh)", while "Beautiful" was released as the first promotional single off the album on 12 July 2021.

Anne-Marie’s second studio album, ‘Therapy’, is the official follow-up to her multi-platinum and four million-selling 2018 debut, ‘Speak Your Mind’ [the UK’s biggest-selling debut release of that year].

Anne Nikitin is an Ivor Novello and Emmy-nominated composer, best known for her work on Bart Layton’s critically acclaimed heist movie AMERICAN ANIMALS and BAFTA-winning film THE IMPOSTER. She was named Classic FM ‘Composer to Watch’ and ‘composer who should be on your radar’ by Film4.Mrs. Wilson (formerly known as The Wilsons) is a 2018 British historical drama serial, executive-produced by and starring Ruth Wilson. The actress plays her real-life grandmother, a widow who uncovers a mysterious and secret life following the death of her husband. The drama first aired on BBC One in the United Kingdom on 27 November 2018 and debuted in the United States on PBS Masterpiece on 31 March 2019.

From Handel to Kurt Weill, from dramatic opera to lounge melody, from romantic Lied to pop song with Elvis Costello, Swedish mezzo-soprano Anne Sofie von Otter (*1955) is at ease again and again, once and for all, on every stage of the planet, whether it be the Berlin Philharmonic or the most intimate halls. In addition to her numerous appearances in opera, recital or oratorio, she is also hyperactive in the recording field, a delight for music lovers qobuzonauts ! From the top of her velvet voice, clear in the treble, dark in the bass – both registers being of a unique beauty –, capable of the most implausible pianissimos as well as the most thunderous bursts, Anne Sofie von Otter revolutionized a certain somewhat conservative vision of the state of classical singer, if only by not hesitating to escape into the field of pop and variety, not as did a certain famous Italian tenor-who acted rather "for the gallery" – but by bringing actually a different vocal vision in another world. This is indeed a complete artist, and completely unclassifiable, if not in the court of the very, very great.