Beach’s Solo Violin Works

Violinist Augustin Hadelich embarks on an American Road Trip, travelling the musical highways and by ways of his adoptive homeland in the company of pianist Orion Weiss. The duo perform works by a melting pot of American composers, writing in the 19th, 20th and 21 st centuries and drawing on a diversity of idioms, influences and inspirations… from European Romanticism to revivalist hymns; from blues and jazz to bluegrass; from the banjo and ukulele to Jimi Hendrix’s guitar, and from a little Mexican star to exquisite Japanese carvings. Aaron Copland, Leonard Bernstein, Charles Ives and John Adams take their place beside Amy Beach, Coleridge-Taylor Perkinson, Eddie South, Howdy Forrester, Manuel M. Ponce and – flying the flag for today’s composers along with Adams – Daniel Bernard Roumain and Stephen Hartke.

Eric Carmen - The Best Of Eric Carmen
Release: 1988 | Label: Arista | Number: 258 999
Genre: Pop/Rock | Mono/Stereo: 2 Channel
EAC Rip | Included: EAC Log + CUE + Flac + Full Covers
Size: 301 MB | RAR files | RS.com

Review By G. Sawaged
After his stint as leader of The Raspberries, Eric Carmen had a succesful solo career. "All by myself" is from Carmen's solo debut album from 1975. One of his most successful songs, it has since been covered by numerous artists. All of the songs on this album were written by Carmen except "Hungry Eyes" from the movie 'Dirty Dancing'. Eric Carmen has an unerring sense of melody and songcraft that has resulted in some of the best pop rock ever. Just try not to dance to "That's Rock 'n Roll"...impossible. "She Did It" is the greatest Beach Boy song that Brian Wilson never wrote, and "It hurts Too Much" has a Phil Spector-like power to it. This album is a must for music lovers. If you're a fan of Billy Joel and/or Barry Manilow, you will love this album.

–-Amazon

Philip Glass - Glass Box. A Nonesuch Retrospective
10xCD Box | EAC+LOG+CUE | FLAC (tracks): 3,56 GB | Artwork: 122 MB
Label/Cat#: Nonesuch # 424508-2 | Country/Year: US 2008 | 5% Recovery Info
Genre: Classical, Electronica, Stage & Screen | Style: Minimalism, Chamber Music, Contemporary, Soundtrack

This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…

Philip Glass - Glass Box. A Nonesuch Retrospective
10xCD Box | EAC+LOG+CUE | FLAC (tracks): 3,56 GB | Artwork: 122 MB
Label/Cat#: Nonesuch # 424508-2 | Country/Year: US 2008 | 5% Recovery Info
Genre: Classical, Electronica, Stage & Screen | Style: Minimalism, Chamber Music, Contemporary, Soundtrack

This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House…

This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House.

Emerson, Lake & Palmer - The Original Bootleg Series from The Manticore Vaults, Vol. 1 Set 3 (2001) {2CD Castle Music rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 588 Mb | MP3 @320 -> 233 Mb
Full Artwork @ 600 dpi (jpg) -> 58 Mb | 5% repair rar
© 1972, 2001 Castle Music / Sanctuary Record | CMDDD312 (CMXBX309)
Rock / Art Rock / Progressive Rock

Set 3: "Celestial Doggie: The Lobster Quadrille" - Long Beach Arena, Long Beach, CA - July 28th 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.