Billboard January 25, 2020

The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.
Walter Wanderley was a talented and gifted organist with an acute ear for new harmonies. With 46 recorded solo albums in his entire career, both in Brazil and the U.S., he reached number 26 on the Billboard pop charts in September 1966, opening a large pathway of success only menaced by himself and his complex character. Ten years after his death from cancer, with a new fad coming, he was repackaged by the entertainment industry as a mere lounge player, carrying his record sales even further and sending the cost of his out-of-print albums to the stratosphere, but all at the cost of minimizing his significance…

Covering its most lucrative years, April Wine's Greatest Hits compiles all of this Montreal-based band's material from the '70s, made up of power ballads and hard rock songs. Founder and lead singer Myles Goodwyn pilots the group in both the slow stuff and the guitar-driven tunes, and his obliging voice takes full control of each type. Both "Roller" and "You Could Have Been a Lady" broke Billboard's Top 40 charts, but this collection has many other redeeming factors, especially in the sock hop innocence of "You Won't Dance With Me" or the coarseness of "Weeping Widow."

Voice Mail is the second solo album by the English rock musician John Wetton. Initially released on 17 June 1994 in Japan only, it was re-released internationally as Battle Lines with the same musical content but different artwork. John Wetton was an English singer, bassist, and songwriter. He rose to fame with bands Mogul Thrash, Family, King Crimson, Roxy Music and Uriah Heep. Following his period in Uriah Heep, Wetton formed U.K., and later — after a brief stint in Wishbone Ash — he was the frontman and principal songwriter of the supergroup Asia, which proved to be his biggest commercial success.

Zito's 16th album is descriptively titled Rock N Roll: A Tribute to Chuck Berry. This release finds him broadening his boundaries still further even as it marks a return to his roots. The album consists of 20 Chuck Berry classics performed by Zito and an impressive array of 21 guest guitarists, among them Joe Bonamassa, Walter Trout, Eric Gales, Robben Ford, Richard Fortus, Sonny Landreth, Luther Dickinson, Albert Castiglia, Anders Osborne, and, significantly, Chuck's grandson, Charlie Berry III.

Few singers have possessed a baritone as rich and comforting as that of Bill Withers. Even smaller in number are the songwriters who have shared the West Virginian's natural ability to articulate a comprehensive range of emotions and perspectives – jubilation and gratitude, jealousy, and spite – with maximal levels of conviction and concision. Late to arrive, the everyman R&B paragon had just turned 33 when "Ain't No Sunshine," the unfading ballad off Just as I Am (1971), made him a sudden and unlikely success story, within one year an aircraft mechanic-turned-million-selling, Grammy-winning artist. Through the next ten years, Withers continued to meld soul, gospel, folk, and funk with rare finesse. He collected more gold singles with "Lean on Me" and "Use Me," both off the similarly successful Still Bill (1972), reached the same height with Menagerie (1977), led by "Lovely Day," and was handed a second Grammy for "Just the Two of Us" (1981), his collaboration with Grover Washington, Jr. Early to leave, Withers made his last statement with Watching You Watching Me (1985), closing a songbook that has served as a bountiful resource for artists from a multitude of stylistic persuasions. Given his flowers before his death at the age of 81, Withers was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Zito's 16th album is descriptively titled Rock N Roll: A Tribute to Chuck Berry. This release finds him broadening his boundaries still further even as it marks a return to his roots. The album consists of 20 Chuck Berry classics performed by Zito and an impressive array of 21 guest guitarists, among them Joe Bonamassa, Walter Trout, Eric Gales, Robben Ford, Richard Fortus, Sonny Landreth, Luther Dickinson, Albert Castiglia, Anders Osborne, and, significantly, Chuck's grandson, Charlie Berry III.

Since Neil Peart joined the band in time for 1975's Fly by Night, Rush had been experimenting and growing musically with each successive release. By 1980's Permanent Waves, the modern sounds of new wave (the Police, Peter Gabriel, etc.) began to creep into Rush's sound, but the trio still kept their hard rock roots intact. The new approach paid off – two of their most popular songs, the "make a difference" anthem "Freewill," and a tribute to the Toronto radio station CFNY, "The Spirit of Radio" (the latter a U.K. Top 15 hit), are spectacular highlights. Also included were two "epics," the stormy "Jacob's Ladder" and the album-closing "Natural Science," which contains a middle section that contains elements of reggae.

Player was formed in 1977 by Englishman Peter Beckett, who came to the United States after the demise of his popular English band Paladin, along with J.C. Crowley. He was soon joined by Ronn Moss and John Friesen. After many rehearsals and songwriting sessions, Player was born…