Prog Rock band from the Netherlands. Another one of these lost-in-time Dutch Neo Prog bands, PTS were coming probably from the Zwolle area of The Netherlands with an original line-up of drummer Le Coq, bassist Marco Kerssies, keyboardist Simon Veenhius and guitarist Ron Van Kruistum. This formation would record the band's first album ''Nightlines'' in 1992, released privately by PTS. While not particularly convincing, it was good enough for the management of the legendary SI label to sign the group. Second album ''Tides'' comes out in 1994, now with Marco de Haan in the place of Le Coq. De Haan was actually the man behind the lyrics of PTS' first album. As SI went bankrupt around mid-90's, PTS were forced to return back to their private releases, so that's what happened with the band's third album ''Campaign'' in 1996.
All Things Must Pass is a triple album by English rock musician George Harrison. Recorded and released in 1970, it was Harrison's first solo work following the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been turned down for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney…
Pablo’s Eye started working as a collective in 1989, a flexible project in which additional members were always welcome to participate. Making music was important but sharing the same artistic attitude was the main focus. Their wish was to remain simple and open by mixing different musical forms, cultures, and ideas. Their common goal has always been to create a feeling of travelling in time and space, by going from past memories to future hopes. Their aim remains to express the ideal and explore the real through both personal and global stories…
M. Ward's latest is a rough-cut Americana diamond, one crafted not simply from folk and bluegrass but also 50s AM radio, the saloon cabaret of studio-era Hollywood, and good old-fashioned indie rock. It's artists like M. Ward who make me contemplate why I write about music. I get my skin tingling to the acoustic guitars and I'm just thinking "Jesus, is this what it's about?" I'm trying to put the feeling this music gives me into words in an attempt to understand it, to convey how great it is and why, and maybe convince you that it's worth your cash or your bandwidth, and it occurs to me that I'm unsure why I do it– why I need to do it– and that, in the end, it's because I'm enjoying this and I want you to enjoy it, too.