This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.
"This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The weak point, as in some of PFM's other productions, is in the vocals. Bernado Lanzetti's voice is overwhelmed by the sheer force of the band; indeed, it could be removed to leave behind perfectly acceptable instrumentals…" ~AMG
This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin."…
This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The reissue of Chocolate Kings contains a bonus disc with several songs from previous releases, next to the material of Chocolate Kings. The recordings from a gig at the University of Nothingham, May 1st 1976 contains live versions of Four Holes In The Ground, Mr. Nine Till Five and Alta Loma Five’Till Nine/William Tell Overture.
This album marked a continued maturing of both PFM's style and their presence in the Anglophone market. It benefits from Premoli's high-speed Hammond organ and synth runs on such all-out prog assaults as the conclusion of "From Under," as well as Mussida's gentle acoustic guitar lines on slower numbers like "Harlequin." The weak point, as in some of PFM's other productions, is in the vocals…
Excellent addition to any prog rock music collection.
An excellent prog album that has two great tracks 'From Under','Harlequin' and one classic 'Out Of The Roundabout'. The playing is some of the best I've ever heard on a prog album.
Unlike many similar bands, the Vinyl Kings are at least upfront about what they're trying to accomplish. This seven-piece band is unapologetically obsessed with the pop music of the era roughly between 1963 and 1971, and their second album is a hodgepodge of lifts from the Beatles, the Beach Boys, and all the rest. (There's also a strong resemblance to classic-era Electric Light Orchestra in spots, mostly because Jeff Lynne himself was so enamored of the same pop music era.)
Unlike many similar bands, the Vinyl Kings are at least upfront about what they're trying to accomplish. This seven-piece band is unapologetically obsessed with the pop music of the era roughly between 1963 and 1971, and their second album is a hodgepodge of lifts from the Beatles, the Beach Boys, and all the rest. (There's also a strong resemblance to classic-era Electric Light Orchestra in spots, mostly because Jeff Lynne himself was so enamored of the same pop music era.)
Esoteric Recordings is pleased to announce the release of a 4CD clamshell boxed set by PFM, “The Manticore Studio Albums 1973 – 1977”. Featuring the albums “Photos Of Ghosts”, “The World Became The World”, “Chocolate Kings” & “Jet Lag”.