Tube City!: The Best of The Trashmen adds their Garrett singles to their lone 1964 album Surfin' Bird. That classic single is here in all of its raw, unfettered glory, and while it does tend to overshadow the rest of the Trashmen's output, the collection shows that their other work was also strong. Their covers of "Miserlou," "It's So Easy," and "Money (That's What I Want)" reflect the band's roots, and aren't overly respectful of the original versions, while "My Woodie" and "Kuk" are respectable surf-pop songs. The Trashmen's instrumentals also fare well, particularly "Tube City" itself , the flamenco-surf of "Malaguena," and "Bird Dance," a silly, tiki-bird infested bid to follow up the success of "Surfin' Bird." "Bird Dance Beat" follows suit, but songs like "Bad News," "Whoa! Dad," and "Real Live Doll" have as much energy, but a little more originality.
Tube City!: The Best of The Trashmen adds their Garrett singles to their lone 1964 album Surfin' Bird. That classic single is here in all of its raw, unfettered glory, and while it does tend to overshadow the rest of the Trashmen's output, the collection shows that their other work was also strong. Their covers of "Miserlou," "It's So Easy," and "Money (That's What I Want)" reflect the band's roots, and aren't overly respectful of the original versions, while "My Woodie" and "Kuk" are respectable surf-pop songs. The Trashmen's instrumentals also fare well, particularly "Tube City" itself , the flamenco-surf of "Malaguena," and "Bird Dance," a silly, tiki-bird infested bid to follow up the success of "Surfin' Bird." "Bird Dance Beat" follows suit, but songs like "Bad News," "Whoa! Dad," and "Real Live Doll" have as much energy, but a little more originality.
This four-CD, 100-song set is the best representative body of work ever assembled (or ever likely to be assembled) of the R&B and soul releases from Henry "Juggy Murray" Jones' Sue Records. The range of sounds runs the gamut from ex-Drifter Bobby Hendricks' first hit for the company ("Itchy Twitchy Feeling") in 1959, through the string of hits by Ike & Tina Turner, to the company's last hits some seven years later. Not only is every chart single that the label ever had represented, but so are club hits from the mid-'60s and solo sides by uniquely New York-associated figures. The contents of the box are almost ideal, along with their arrangement – in contrast some other box sets, this one follows strict release order, which is a great way to follow the history of the label (though not ideal for anyone, apart from owners of multi-disc players, who simply wants to hear the label's best-known tracks in one sitting).