Guitarist, singer, and songwriter W.C. Clark was one of Austin's original blues musicians, and he is considered the godfather of that city's blues scene. Wesley Curley Clark was born and raised in Austin and grew up surrounded by music, since his father was a guitar player and his mother and grandmother sang in the choir at St. John's College Baptist Church. By the time he was 16, he played his first show at Victory Grill and was introduced to local legends T.D. Bell and Erbie Bowser…..
The first six volumes of this unauthorized series of Dave Clark Five CD reissues contain everything from the 12 non-compilation LPs the group issued in the U.S. between 1964-1968, as well as everything from the four U.K. LPs (never issued in the U.S.) that followed in 1969-1972. The seventh and final volume contains 25 tracks that somehow didn't find a place on any of those LPs.
One of the finest vocalists of the 1950s, Dinah Washington could sing just about anything, was a popular attraction for 20 years and was known as the Queen of the Blues. ~ Jazz Heritage
Dinah Washington was at once one of the most beloved and controversial singers of the mid-20th century - beloved to her fans, devotees, and fellow singers; controversial to critics who still accuse her of selling out her art to commerce and bad taste. Her principal sin, apparently, was to cultivate a distinctive vocal style that was at home in all kinds of music, be it R&B, blues, jazz, middle of the road pop - and she probably would have made a fine gospel or country singer had she the time. Hers was a gritty, salty, high-pitched voice, marked by absolute clarity of diction and clipped, bluesy phrasing. Washington's personal life was turbulent, with seven marriages behind her, and her interpretations showed it, for she displayed a tough, totally unsentimental, yet still gripping hold on the universal subject of lost love…
Celebrating sixty years since the launch of one of the most successful independent record labels in US Popular music. Received wisdom would have us believe that before Motown, no black-owned record company had made a significant impact on the US mainstream. However, the actuality is something else entirely. Way back in the early 50s, long before Berry Gordy had written his first song, VEE-JAY RECORDS - a black, family owned and run, Chicago-based label - was establishing itself via a steady stream of Blues, R&B, DooWop and Gospel hits.
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…