This split LP pairs a sextet led by multi-instrumentalist Sahib Shihab with another under the direction of Herbie Mann. Big names all the way around on this one. On the Shihab session, John Jenkins and Clifford Jordan round out the front line, while Hank Jones, Addison Farmer, and Dannie Richmond hold down the rhythm. Mann, on the other hand, is joined by Phil Woods, Eddie Costa, Joe Puma, Wilbur Ware, and Jerry Segal. Nothing overly surprising here, but one can expect quality performances by all.
This is one of the better Art Farmer recordings of the 1980s, which is saying a great deal, for the flugelhornist is among the most consistent of all jazz musicians. The two ballads that open and close this set ("Blame It on My Youth" and "I'll Be Around") give Farmer an opportunity to display his warm and attractive sound (with fine support from pianist James Williams, bassist Rufus Reid and drummer Victor Lewis), while the other five pieces (Benny Carter's "Summer Serenade" and more obscure material) add the great tenor saxophonist (and so-so soprano player) Clifford Jordan to the group. It's an enjoyable and very successful outing.
Reissue with the latest DSD remastering. This exciting live set by Art Farmer is also culled from the same 1976 performances as the earlier album Live at Boomer's. Although the full quintet had not rehearsed prior to the engagement with Clifford Jordan (the rhythm section, consisting of Cedar Walton, Sam Jones, and Billy Higgins, had been working together with Farmer for over a year), the sparks fly as they stretch out on each of the four tracks present.
A double CD collection of Blue Note recordings mainly hard bop tracks from between 1953 and 1958. There are many great periods in Jazz music, and the five years covered on this collection is no exception. New York was a Jazz mecca and this collection features the best of Blue Note's roster creating music that sounded, felt and smelled like New York. 20 tracks from the likes of Art Blakey, Horace Silver, Sonny Rollins, Johnny Griffin, The Jazz Messengers, Kenny Dorham, Kenny Burrell, Sonny Clark, Lee Morgan, Clifford Jordan and others.
In an illustrious recording that spanned 50 years (1948-98), art Farmer seldom failed to impress. Whereas his contemporaries were obsessed with speed, having heard Freddie Webster, Farmer decided to concentrate on perfecting his already warm and melodic sound which would became even more personalized when switching to flugelhorn in the early 1960s. From 1966, farmer divided his time between New York and Wien. So high was his profile in Europe that from 1981 until 1987 he recorded five albums for BlackSaint/Soul Note (including one with the reassembled Jazztet) plus a duo with pianist Enrico Pieranunzi.
Resonance Records is proud to announce the first official previously-unissued studio recordings of Eric Dolphy in over 30 years, including 85-minutes of never before released material. Musical Prophet: The Expanded 1963 New York Studio Sessions is being released in partnership with the Eric Dolphy Trust and the Alan Douglas Estate with remastered high-resolution monoaural audio transferred directly from the original tapes.
Tapping into the deep vaults of Blue Note and Capitol Records, the compilers of this Duke Ellington tribute deliver both classic vocal sides and hard bop instrumentals. Kicked off, appropriately enough, with Ellington's own version of "Rockin' in Rhythm," the mix includes the A-list likes of Nat King Cole ("Mood Indigo"), Kenny Burrell ("Caravan"), Nina Simone ("It Don't Mean a Thing"), and Clifford Jordan ("Sophisticated Lady"). Shifting between vintage tracks from the '50s and '60s and more modern turns cut during the '80s, the disc also features big band favorite Stan Kenton; Ellington's writing partner, Billy Strayhorn; Hammond B-3 great Jimmy McGriff; and multi-style singer Lou Rawls. A well-balanced and fetching compilation.
In the spring of 1963, in the last full year of his life, Eric Dolphy recorded nine tracks in New York with producer Alan Douglas. Working with an ensemble that was mixed and matched in different configurations and included Prince Lasha on flute, Clifford Jordan on soprano sax, Woody Shaw on trumpet, Huey Simmons on alto sax, Bobby Hutcherson on vibraphone (there was no pianist at the sessions), bassists Richard Davis and Eddie Kahn, and drummers J.C. Moses and Charles Moffett, Dolphy tracked material that clearly anticipated his landmark Out to Lunch album that appeared in 1964 while still providing a bridge to the more traditionally accessible work that preceded it. ~ AllMusic
The ultimate collection of jazz recordings perfectly suited for a relaxing evening at home. Whether you're entertaining company over a candlelit dinner or simply kicking off your shoes with a glass of wine after a long day, this compilation finds the perfect balance of intrigue, tranquility, and sonic brilliance. Sit back, relax, and let some of the greatest names in Jazz put you at ease