Great recordings the important 1964 tour of Europe by bassist Charles Mingus – a key musical moment that not only saw some of the last recordings of Eric Dolphy before his departure from this planet, but which also introduced the overseas scene to some key up-and-coming talents who were in Mingus' tenure! The group here is a quintet, but plays with the fire of some of Charles' bigger ensembles from a few years before – and the setting has some especially open space for great solos from the reedmen – both Dolphy on alto, flute, and bass clarinet – plus Clifford Jordan on tenor. Dannie Richmond plays drums, and Jaki Byard is superb on piano.
Great recordings the important 1964 tour of Europe by bassist Charles Mingus – a key musical moment that not only saw some of the last recordings of Eric Dolphy before his departure from this planet, but which also introduced the overseas scene to some key up-and-coming talents who were in Mingus' tenure! The group here is a quintet, but plays with the fire of some of Charles' bigger ensembles from a few years before – and the setting has some especially open space for great solos from the reedmen – both Dolphy on alto, flute, and bass clarinet – plus Clifford Jordan on tenor. Dannie Richmond plays drums, and Jaki Byard is superb on piano.
Although not one of his better known albums, Lee Morgan's EXPOOBIDENT is a strong outing in the still-early stages of the trumpeter's career. The oddly titled session, originally recorded for the Vee Jay label, is an excellent showcase for Morgan's developing style as one of the premier hard bop trumpeters. Also on the date are other heavy-duty boppers like the big-toned tenor man Clifford Jordan, bassist Art Davis, the great Art Blakey on drums, and the underrated pianist Eddie Higgins. The young Morgan is the central figure, however, and smartly displays his wares in swinging fashion.
In an illustrious recording that spanned 50 years (1948-98), art Farmer seldom failed to impress. Whereas his contemporaries were obsessed with speed, having heard Freddie Webster, Farmer decided to concentrate on perfecting his already warm and melodic sound which would became even more personalized when switching to flugelhorn in the early 1960s. From 1966, farmer divided his time between New York and Wien. So high was his profile in Europe that from 1981 until 1987 he recorded five albums for BlackSaint/Soul Note (including one with the reassembled Jazztet) plus a duo with pianist Enrico Pieranunzi.
The ultimate collection of jazz recordings perfectly suited for a relaxing evening at home. Whether you're entertaining company over a candlelit dinner or simply kicking off your shoes with a glass of wine after a long day, this compilation finds the perfect balance of intrigue, tranquility, and sonic brilliance. Sit back, relax, and let some of the greatest names in Jazz put you at ease
This Max Roach date is an unusual set. The outing featured the drummer's all-star sextet (which consisted of trumpeter Richard Williams, tenor saxophonist Clifford Jordan, trombonist Julian Priester, pianist Mal Waldron, and bassist Art Davis) joined by a vocal choir conducted by Coleridge-Taylor Perkinson and orchestrated by Roach (who contributed all six originals). Unlike most other collaborations, the choir was not overly gospel-oriented and was utilized as a sort of jazz ensemble. Each of the horn players has a feature or two and singer Abbey Lincoln stars on "Lonesome Lover."
This Max Roach date is an unusual set. The outing featured the drummer's all-star sextet (which consisted of trumpeter Richard Williams, tenor saxophonist Clifford Jordan, trombonist Julian Priester, pianist Mal Waldron, and bassist Art Davis) joined by a vocal choir conducted by Coleridge-Taylor Perkinson and orchestrated by Roach (who contributed all six originals). Unlike most other collaborations, the choir was not overly gospel-oriented and was utilized as a sort of jazz ensemble. Each of the horn players has a feature or two and singer Abbey Lincoln stars on "Lonesome Lover."
Trombonist J.J. Johnson's 1960 sextet is featured on this Columbia CD. Most notable among the sidemen is a rather young trumpeter named Freddie Hubbard on one of his first sessions; also helping out are tenor saxophonist Clifford Jordan, pianist Cedar Walton, bassist Arthur Harper and drummer Albert "Tootie" Heath. Seven of the compositions (which are joined by Dizzy Gillespie's "Blue 'N' Boogie") are Johnson's and, although none caught on, "Mohawk," "In Walked Horace" and "Fatback" (which is heard in two versions) are all fairly memorable.
A double CD collection of Blue Note recordings mainly hard bop tracks from between 1953 and 1958. There are many great periods in Jazz music, and the five years covered on this collection is no exception. New York was a Jazz mecca and this collection features the best of Blue Note's roster creating music that sounded, felt and smelled like New York. 20 tracks from the likes of Art Blakey, Horace Silver, Sonny Rollins, Johnny Griffin, The Jazz Messengers, Kenny Dorham, Kenny Burrell, Sonny Clark, Lee Morgan, Clifford Jordan and others.