Conte Candoli

Shorty Rogers & His Giants - Way Up There (1955) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27159}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 112 Mb | 5% repair rar | 24-bit remaster
© 1955, 2012 Atlantic / WEA / Warner Japan | WPCR-27159 | Jazz Best Collection 1000 Series
Jazz / Cool / West Coast Jazz / Trumpet

Features 24 bit remastering and comes with a mini-description. Shorty Rogers is definitely way up there with this classic album for Atlantic Records – hitting heights that even go beyond his more famous sides for RCA! The groove here is sharp, but also has room for lots of individual flavors too – thanks to different groupings of west coast players who include Bud Shank on alto, Jimmy Giuffre on baritone and tenor, Lou Levy on piano, Shelly Manne on drums, Barney Kessel on guitar, and Pete Candoli, Conte Candoli, Harry Edison, and Don Fagerquist on trumpets! Shorty himself wrote nearly all the tracks on the set – at a point at which he was really hitting his stride as a composer, doing an incredible job of mixing modern ideas and swinging jazz – as you'll hear on cuts that include "Pixieland", "Solarization", "Baklava Bridge", "March Of The Martians", "Moten Swing", and "Wail Of Two Cities".

A fine swing clarinetist, an altoist whose sound was influenced by Johnny Hodges, a good soprano saxophonist, and a spirited blues vocalist, Woody Herman's greatest significance to jazz was as the leader of a long line of big bands. He always encouraged young talent and, more than practically any bandleader from the swing era, kept his repertoire quite modern.

Shelly Manne & His Men - Play Peter Gunn (1959) {Contemporary OJCCD-946-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 245 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1959, 1997 Contemporary Records / Fantasy | OJCCD-946-2
Jazz / West Coast Jazz / Bop / Cool / Drums

Henry Mancini's writing for Peter Gunn was quite significant, for it was the first regular television series to utilize jazz as an integral part of its score. Half a year after the show debuted, drummer Shelly Manne, the members of his quintet (trumpeter Conte Candoli, altoist Herb Geller, pianist Russ Freeman, and bassist Monty Budwig), and guest vibraphonist Victor Feldman (doubling on marimba) interpreted the Peter Gunn theme and nine selections from the show, including "Dreamsville."

A fine swing clarinetist, an altoist whose sound was influenced by Johnny Hodges, a good soprano saxophonist, and a spirited blues vocalist, Woody Herman's greatest significance to jazz was as the leader of a long line of big bands. He always encouraged young talent and, more than practically any bandleader from the swing era, kept his repertoire quite modern. Although Herman was always stuck performing a few of his older hits (he played "Four Brothers" and "Early Autumn" nightly for nearly 40 years), he much preferred to play and create new music.

A fine swing clarinetist, an altoist whose sound was influenced by Johnny Hodges, a good soprano saxophonist, and a spirited blues vocalist, Woody Herman's greatest significance to jazz was as the leader of a long line of big bands. He always encouraged young talent and, more than practically any bandleader from the swing era, kept his repertoire quite modern. Although Herman was always stuck performing a few of his older hits (he played "Four Brothers" and "Early Autumn" nightly for nearly 40 years), he much preferred to play and create new music.

Art Pepper - Gettin' Together!
EAC+LOG+CUE | WV: 371 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Victor Ent. # VICJ-41170 | Country/Year: Japan 1999, 1960 K2HD
Genre: Jazz | Style: Bop, Cool

Art Pepper deserves to be remembered for his artistic achievements rather than for the turbulence of his life or the sensationalism of his autobiography. Fortunately Lester Koenig of Contemporary was always able to record him during Art's best days, and with the best possible rhythm sections…

Recorded in 1984 for Pete Christlieb's Bosco label, this outing by the Louie Bellson Orchestra has plenty of power, more variety than usual, and swings up a storm; half of the selections actually feature a small group from the orchestra. The big band tracks have spots for trumpeters Conte Candoli and Ron King, trombonists Carl Fontana and Andy Martin, tenor great Christlieb and drummer Bellson (who is showcased on Thad Jones' "With Bells On"), while the combo tracks put the focus on trumpeters Conte Candoli and Steve Huffsteter, trombonist Fonanta (featured on "Indian Summer") and Christlieb. This is a rather obscure and hard-to-find release, but is worth the search, for the musicians sound consistently inspired.