Really wonderful work from pianist Bobby Scott – a perfect showcase not just for his young talents as a composer and arranger, but also for a host of key solo performers as well! This full album brings together two previous 10" LP sessions – both of them brilliant, and graced by some of the most modern talents Bethlehem Records had to offer – which makes for extremely fresh sounds from Scott's wonderful music – jazz that's at a level that's really hard to peg – neither west coast cool, nor east coast arranged – but a really special space of its own!
The first album ever from drummer Stan Levey, but a set that already shows his mighty talents as a leader! Stan wisely chose some great songs to work with here – penned by west coast highlights Jimmy Giuffre, Bob Cooper, and Bill Holman – and taken into a small combo mode that really shakes the tunes free of any of the larger Kenton-esque qualities of the composers. Giuffre is on the record – playing baritone in the sextet along with Zoot Sims on tenor, Conte Candoli on trumpet, Claude Williamson on piano, and Max Bennett on bass – about as great of a Bethlehem lineup as you could hope for at the time. Sims brings in a really rich sense of soul tot he record – and titles include "Drum Sticks", "Lightnin' Bug", "Exaktamo", and "Extraversion".
The first of a wonderful series of recordings that he made with The Dream Band in the late 50s and early 60s which still sound fresh today. The band contained 'anyone who was anyone' playing in the West Coast at that time. The music on this CD, not released for the first time until 1986, features the formerly little-known Terry Gibbs Big Band, an orchestra that worked fairly regularly in Los Angeles from 1959-1962. The repertoire is primarily swing-era standards, but the arrangements (by Bill Holman, Bob Brookmeyer, Al Cohn, Marty Paich, and Manny Albam) are fairly modern for the time; the all-star group's ensembles are tight and such colorful soloists as vibraphonist Gibbs, valve trombonist Bob Enevoldsen, trumpeters Stu Williamson and Conte Candoli, tenorman Bill Holman, pianist Pete Jolly, and altoist Joe Maini are heard from.
Bebop is spoken throughout this swinging set (a reissue CD), which emphasizes jazz tunes written since 1945, including George Handy's "Diggin' for Diz," "Tune Up," and Oscar Pettiford's "This Time the Drum's on Me." Drummer Stan Levey is the leader and he is properly forceful behind soloists, but the main significance of this set is the playing of the great tenor Dexter Gordon, who was otherwise almost totally absent from records during 1953-1959.
The legendary Terry Gibbs Dream Band, a notable unit that from 1959-62 made a few albums for Mercury and Verve, was well served by the five CDs of previously unreleased material released by Contemporary in the late 1980s. Vol. 2 has charts by Bill Holman, Al Cohn, Manny Albam, Lennie Niehaus and Med Flory on six swing-era songs and four later tunes, including Gibbs' "The Fat Man." Of the soloists featured during this live set, which also resulted in part of Vol. 3, vibraphonist Gibbs, trumpeter Conte Candoli, altoists Joe Maini and Charlie Kennedy, Bill Perkins on tenor and pianist Lou Levy are most notable. Recommended for fans of swinging big bands.
The title Swing Is Here would have been more appropriate for the 1930s instead of 1960 when this album was originally issued, and the big-band era had long since waned. Yet vibraphonist Terry Gibbs kept the home fires burning out in California with this exceptional orchestra of cool jazz giants playing a stack of standards and modern compositions by Bill Holman or Gibbs, and one look back with an Artie Shaw number. What is most interesting about these arrangements is that they are always different in emphasizing the fleet, dampened sound of Gibbs in contrast, apart from, or in tandem with the woodwinds and brass instruments.
The third CD in this five-volume series draws its material from the same live sessions that resulted in the first two Terry Gibbs Dream Band releases, but contains all previously unheard performances. Ranging from well-known standards ("Avalon," "I'm Getting Sentimental Over You" and "Flying Home") to more recent tunes ("Airegin" and Gibbs' "It Might As Well Be Swing") and originals by arrangers Bill Holman, Bob Brookmeyer and Al Cohn, the music stays consistently colorful and swinging. Gibbs had some of the top L.A.-based players in his big band, which lasted from 1959-62, and among the key soloists on this set are trumpeter Conte Candoli, Bill Holman, Bill Perkins and Med Flory on tenor, and altoists Joe Maini and Charles Kennedy.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. This LP features the Stan Kenton Orchestra (during the period when it had a mellophonium section) performing some of its familiar standards and a few newer songs with a light Brazilian rhythm provided by percussionists Frank Guerrero and Milt Holland (Larry Bunker fills in for Holland on three songs). Although one might consider this project to be an example of Kenton jumping on the bandwagon (since the bossa nova fad was at its peak at the time), the music is quite enjoyable.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
This outstanding edition contains the complete recorded discography of Gordon’s collaboration with trombone giant Herbie Harper and composer/arranger/tenor saxophonist Jack Montrose. Drawing from 7 legendary sessions and containing over 149 minutes of music this is unarguably the most definitive compilation of Bob Gordon’s outstanding music to date. “It is now generally recognized that Gordon, Jimmy Giuffre, and Gerry Mulligan, are the best baritone saxophonists to have emerged since Harry Carney.” – Richard Heffner, Downbeat.