A somewhat surprising pairing at the time, the former firebrand of the tenor sax and the wonderful South African pianist found a pleasant and relaxed meeting point. By 1978, Shepp had largely abandoned the ferocious attack that gained him renown in the '60s, settling on a rich, Ben Webster-ish tone and playing a repertoire consisting of modern standards and bluesy originals. Two such pieces, the lovely Dave Burrell/Marion Brown composition "Fortunato" and Mal Waldron's "Left Alone," are highlights of this session, Shepp's burnished tone as soft as an old shoe.
CD is part of german audiophile magazine AUDIO and features some great artists and recordings to test your equipment. Celebrating the 100th anniversary of Denon. More of these to come.
In this short (37 min) album recorded in a studio in New York in June 1977, Archie SHEPP is surrounded by Walter DAVIS on piano, Earl MAY on bass and Philly Joe JONES on drums. He performs six great Duke ELLINGTON successes, two of which: “Don't you know I care” and “Day dream” , the first and third songs, interpreted on the soprano saxophone, are simply fabulous and would justify the acquisition of the CD by fans of the saxophonist. The rest of the album, played by tenor, remains however of good quality (with in particular a beautiful version of "I got it bad and that ain't good"), even if it does not reach the heights of the aforementioned songs.
Pianist Eliane Elias' second of two Denon CDs recorded before she hooked up with Blue Note is a lesser-known but worthy session. Elias is mostly featured in a trio with bassist Eddie Gomez and drummer Jack DeJohnette performing originals, a pair of Charles Mingus compositions ("Peggy's Blue Skylight" and "East Coastin'"), "Beautiful Love," "When You Wish Upon a Star" and Bud Powell's "Hallucinations." Elias was quickly developing into a strong modern mainstream pianist.