A timely, controversial work of grand proportions, The Gospel According To The Other Mary is a new, full-scale reimagining of the Bach oratorio from composer John Adams and iconoclast writer/director Peter Sellars. Adams and Sellars’ previous collaborations included Nixon In China, the most-performed American opera since Gershwin’s Porgy and Bess, and Dr. Atomic, an opera about the invention of the atomic bomb.
Donatoni makes a speciality of chamber pieces in which the players pursue and provoke each other. The sparks invariably fly, but they don't always illuminate larger perspectives. Etwas ruhiger im Ausdruck is the earliest work included. As the title leads one to expect, it's more restrained than the rest, though characteristic of all five pieces to the extent that fragmented, fugitive activity takes place within clearly defined limits. Even this is not young man's music—Donatoni was born in 1927—but it's subtle and fascinating in its inventive way with soft sonontles.
VA - A Time To Remember 1930-1939: 10 CDs each one including an exclusive 20-track music compilation of original hit recordings by the original artists.
The early days of rock n’ roll were dominated by guys, while the girl-led music was viewed as merely “cute” and “throwaway pop.” Over time though, the ladies’ contributions have been reassessed. Now, girl group fans are some of the most rabid in all of popular music. Honeybeat – Groovy 60’s Girl-Pop, just released from Real Gone Music, uncovers 19 obscure tracks which add to the canon of this much-revered sub-genre.
Birgit Minichmayr captures the imagination and holds centre-stage on “As An Unperfect Actor – Nine Sonnets by William Shakespeare”. This won’t come as a surprise to people in the German-speaking world, where the Austrian actor is well-known from countless appearances on TV and a substantial filmography. Perhaps equally unsurprising is the deep experience she can bring to Shakespeare: as an ensemble member of the Burgtheater company in Vienna, she has repeatedly lived out the searingly dramatic lives of the Bard’s characters, notably the daemonic anger of Lady Macbeth, the sadness of Ophelia, and even the uncomfortable truths of the Fool in King Lear.
Like fellow alto saxophonists Phil Woods, Jackie McLean, Frank Morgan, Ernie Henry, and Sonny Criss, Lou Donaldson started out with a very Charlie Parker-like tone but went on to develop a recognizable sound of his own. Bird's influence never disappeared from Donaldson's playing, although he successfully combined that influence with many ideas of his own. The title Birdseed might lead some to wonder if this 1992 date is a tribute to Parker – it isn't, and the CD doesn't contain any Parker songs at all.