Dex (2015)

Short stints with Lee Young, the Fletcher Henderson Orchestra, and Louis Armstrong's big band preceded his move to New York in December 1944 and becoming part of Billy Eckstine's Orchestra, trading off with Gene Ammons on Eckstine's recording of Blowin' the Blues Away. Gordon recorded with Dizzy Gillespie (Blue 'N' Boogie) and as a leader for Savoy before returning to Los Angeles in the summer of 1946. He was a chief part of the Central Avenue scene, trading off with Wardell Gray and Teddy Edwards in many legendary tenor clashes. After 1952, drug struggles resulted in some jail time and periods of indolence during the '50s (although Gordon did record two albums in 1955).

Dexter Gordon's second recording for Blue Note is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time (1961) was one of the most enjoyable in mainstream jazz, but his transition from the cool California scene to the hotter music environs of New York City had energized his sound and attitude. A first-time pairing with bassist Paul Chambers has something to do with this, but it also inspires pianist Kenny Drew to a great extent, while drummer Philly Joe Jones is his reliable, energetic self, and always works well with Gordon. Where Gordon's fluent melodic sense is perfectly demonstrated during the simple-as-pie groove waltz "Soul Sister," the steady, steamy bopper "I Want More," and the familiar Charlie Chaplin evergreen "Smile," his sense of expanding the specific line upon soloing is truly remarkable…

Paul Quinichette - For Basie (1957) {Prestige OJCCD-978-2 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1957, 1998 Prestige / Fantasy | OJCCD-978-2
Jazz / Bop / Hard Bop / Saxophone

Tenor-saxophonist Paul Quinichette, who had played with the Count Basie Orchestra in the early 1950's, was a virtual soundalike of Lester Young in the 1950's. On the first of two Prestige sets that pay tribute to Basie, Quinichette is teamed up with four fellow Basie alumni (trumpeter Shad Collins, guitarist Freddie Green, bassist Walter Page and drummer Jo Jones) plus pianist Nat Pierce who comes as close as anyone to sounding like Count.