Digital Analog Converter

Telarc achieved its reputation for the exceptionally clear, natural sound of its recordings. Even before the public had heard of the digital process, they were embracing the sound of Telarc. Critics have praised it, and Telarc 's artists rely on it, knowing that Telarc's recorded sound gives them the most faithful possible representation of their artistry. "From their very first recordings," said renowned conductor Robert Shaw of his twenty-year recording history with Telarc, "Robert Woods and Jack Renner have brought intelligence, care and creativity to their work, which immediately challenged the standards of the entire recording industry. All audiophiles and lovers of music are in their debt."

This volume provides a comprehensive look at the application of photonic approaches to the problem of analog-to-digital conversion. It looks into the progress made to date, discusses present research, and presents a glimpse of potential future technologies.

This release sees a selection of the 1975 recordings made in Copenhagen by legendary alto sax player Lee Konitz and tenor sax player Warne Marsh reissued in high-resolution digital quality. Both students of Lennie Tristano, these cool jazz kings weave magical, meandering melodic lines that delighted the fans who brought Konitz and Marsh to Denmark and undoubtedly continue to entrance listeners today. Clearly, Konitz & Marsh had by this stage of their respective careers taken their interest in music to a point which for the time at least was scarce amongst jazz musicians.

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2xHD presents a beautifully remastered rerelease of Live at the Village Vanguard from the Les McCann Trio. Recorded in stereo at the Village Vanguard on July 16, 1967 by George Klabin and featuring McCann on piano with bassist Leroy Vinnegar and drummer Frank Severino, this was one of McCann's last jazz recordings before his turn to R&B in the 1970s.

This album capture the momentous meeting of four great iconoclastic jazz figures. It was a historic, magical moment when Coleman Hawkins, Bud Powell, Oscar Pettiford and Kenny Clarke came together on the stage of the Grugahalie in Essen on the evening of April 2nd, 1960 and played for an Essen Jazz Festival audience of some 8,000 people. That audience was uniquely privileged because it was to witness the performance of some most inspirational spontaneous music from a quartet of jazz masters who were destined never to play together again. Oscar Pettiford, one of the prime emancipators of the bass, died later that year; Bud Powell went to that great 52nd Street in the sky six years later. And three years after that, Coleman Hawkins was dead. A most precious recording, then - and it underscores yet again the gratitude that all jazz lovers owe to the people who ensure that such auspicious musical encounters are preserved on record.

"Early Chet" compiles tracks jazz trumpeter Chet Baker recorded while on tour in the mid- and late '50s. These tracks were made at the height of Baker's popularity and showcase him in fine form throughout. Featured here are several (rare for Baker) big-band numbers, as well as two superb duets with Italian vocalist/guitarist Caterina Valente, "I Remember April" and "Everytime We Say Goodbye".