E H Carr

'American Impressionism and Realism: The Painting of Modern Life, 1885–1915' brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals―notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. …

This wonderful four-disc, 105-track box of postwar Afro-American gospel releases from the 1940s and 1950s was compiled by record collector and gospel historian Opal Louis Nations, and it perfectly captures what was surely a golden age for black gospel. Gospel as we now know it emerged in the South in the early '30s, an outgrowth of the right to assemble and the advent of gospel songwriters like Thomas A. Dorsey (who had sung previously in the secular arena as Georgia Tom), who brought the blues to church, tossed in some ragtime piano rhythms, and almost single-handedly created the genre to the point that his compositions were simply known as "Dorseys.

The CMAA Winners compilation returns for another year featuring the very best of Australian country music. The album is a 2CD set of the nominees for the 45th CMAA Awards. Featured artists include The Wolfe Brothers, Catherine Britt, The Wilson Pickers, Travis Collins, Troy Cassar-Daley, Sara Storer and so much more.

Lou Donaldson - The Complete Blue Note Lou Donaldson Sessions 1957-60 (2002) {6CD Set, Mosaic MD6-215}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.11 Gb | MP3 @320 -> 1.01 Gb
Full Artwork @ 300 dpi (png) -> 193 Mb | 5% repair rar
© 1957-60, 2002 Mosaic Records / Blue Note / Capitol | MD6-215
Jazz / Hard Bop / Saxophone

A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker.

Maurice Gendron (December 26, 1920, near Nice – August 20, 1990, Grez-sur-Loing) was a French cellist and teacher. He is widely considered one of the greatest cellists of the twentieth century. He recorded most of the standard concerto repertoire with conductors such as Bernard Haitink, Raymond Leppard, and Pablo Casals, and with orchestras such as the Vienna State Opera Orchestra, the London Symphony Orchestra, and the London Philharmonic Orchestra. He also recorded the sonata repertoire with pianists such as Philippe Entremont and Jean Françaix. For 25 years, he was a member of a celebrated piano trio with Yehudi and Hephzibah Menuhin. He also made a famous recording of J. S. Bach's solo cello suites.