On his sixth album for ECM the Italian pianist and his trio reflect on the work of American composer Alec Wilder (1907 – 1980). “I first came into a more direct contact with Alec Wilder’s music in the early 90s, when I was performing his Sonata for Oboe and Piano and his Sonata for Horn and Piano”, Battaglia remembers. “I had already known some of his popular songs like ‘While We’re Young’, Blackberry Winter’ and ‘Moon and Sand’ through the intense versions Keith Jarrett has recorded. But after working on Wilder’s chamber music I wanted to develop a deeper connection with his intriguing musical universe, and I've discovered an immense hidden treasure.”
The combination of spoken words and musical improvisations may bring up associations with the Beat poets and some of their free jazz experiments, but that is far from the effect Paul Griffiths and Frances-Marie Uitti achieve in There Is Still Time, their 2004 release in ECM's New Series. These scenes for speaking voice and cello have a bleak existential quality that moves them into a different direction and are perhaps more like the spare monologs of Samuel Beckett than anything else. Griffiths' haltingly paced recitations of his austere, introspective texts is by turns fragile, morose, excited, and agonized – not exactly a theatrical performance, but certainly dramatic in its intensity and haunting in its suggestiveness.
Guitarist John Abercrombie's first in a long line of recordings for ECM was also his debut as a leader. Teamed up with Jan Hammer (who here plays organ, synthesizer, and piano) and drummer Jack DeJohnette, Abercrombie plays four of his originals, plus two by Hammer. These performances differ from many of the guitarist's later ECM dates in that Hammer injects a strong dose of fusion into the music, and there is plenty of spirited interplay between those two with fine support by DeJohnette. Thought-provoking and occasionally exciting music that generally defies categorization.
Commissioned by the Molde International Jazz Festival and recorded live at the Norwegian festival in 2010, “La notte” is a salute to Italian filmmaker Michelangelo Antonioni, whom Ketil Bjørnstad counts amongst his formative influences. “At the same time that I discovered what jazz could be, after listening to Miles Davis’ In A Silent Way, I also saw the films by Godard, Bresson and Antonioni. Perhaps it was the slow, rhythmic authority in the films by Michelangelo Antonioni that made me think of music…
An exceptional live recording, “Concert In Athens”, the tenth ECM release by Greek composer Eleni Karaindrou, incorporates moving performances by guests Kim Kashkashian and Jan Garbarek. The US violist and the Norwegian saxophonist have each made important contributions to Karaindrou’s music in the past, Garbarek with his playing on the film-score for The Beekeeper (see “Music for Films”) and Kashkashian as the key musical protagonist of “Ulysses’ Gaze”. Themes of both those films are revisited here, amongst much that is new. A primary emphasis is music written for theatre: the wide-reaching emotional scope of pieces for plays by Arthur Miller, Tennesee Williams and Edward Albee provides a wonderful context for bringing the guest musicians into contact with Eleni’s soloists, above all the brilliant oboist Vangelis Christopoulos.
The long overdue release of Ralph Towner and John Abercrombie's Five Years Later, originally released in 1982, may well be the most eagerly anticipated of the Re:Solutions series that brings into print—on CD (four titles for the first time, Five Years Later previously only available for a limited time in Japan), vinyl and high resolution digital formats—seven historic ECM recordings. Add the three Abercrombie Quartet albums recorded immediately prior to Five Years Later—1979's Arcade, 1980's Abercrombie Quartet and 1981's M, planned for release later this year in an Old & New Masters Edition box—and all of these two seminal guitarists' ECM recordings will finally be in print on CD internationally, and not a moment too soon.
The third ECM album by the trio of Great British jazz singer Norma Winstone, Italian pianist Glauco Venier and German clarinetist / saxophonist Klaus Gesing was recorded in December 2012 at Auditorio Radiotelevisione svizzera, Lugano, with Manfred Eicher as producer. Dance Without Answer pools material from diverse sources. Alongside the striking self-penned songs, there are pieces by idiosyncratic singer/songwriters Fred Neil, Nick Drake and Tom Waits, as well as tunes associated with the cinema, with contemporary pop, with a children’s television show and more.