Ella+fitzgerald

Producer Norman Granz oversaw two Porgy & Bess projects. The first involved Ella Fitzgerald and Louis Armstrong, and came together during the autumn of 1957 with brassy big band and lush orchestral arrangements by Russ Garcia. This is the classic Verve Porgy & Bess, and it's been reissued many, many times. The second, recorded during the spring and summer of 1976 and issued by RCA, brought Ray Charles together with versatile British vocalist Cleo Laine, backed by an orchestra under the direction of Frank DeVol. ~ AllMusic

Recorded just before and after the period that she made the George and Ira Gershwin Songbook, Ella Fitzgerald is in fine form on this obscure LP, performing a dozen standards. Although two songs are by Harold Arlen, the composers were in most cases less prolific than the ones she saluted in her songbook series. Ella is backed by a large unidentified orchestra conducted and arranged by Frank DeVol. Swingers alternate with ballads, and as usual, Ella uplifts everything, including "Let's Fall In Love," "Moonlight Serenade," "Gone With the Wind" and "East of the Sun." An enjoyable if not classic release. ~ Scott Yanow

Ella Swings Lightly was recorded in 1958 and features the Marty Paich Dektette. The songs whilst including a number of very well known standards eg " Little White Lies"; "As Long as I Live"; "Blues in the Night" etc also has less main stream standards and many of these bring to the listener Ella's ability to "scat", vocal improvisation which gives singers the ability to sing improvised melodies and rhythms, to create the equivalent of an instrumental solo using their voice…

Ella Fitzgerald & Duke Ellington - Ella & Duke at The Cote D'Azur (1966) {2CD Set Verve 314-539-030-2 rel 1997}
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© 1966, 1997 Verve / PolyGram | 314-539-030-2
Jazz / Classical Jazz / Vocal Jazz / Standards / Swing / Big Band

Ella Fitzgerald and Duke Ellington did not team up in concert until relatively late in their careers (although she did record her Ellington Songbook with him in the '50s). This live double-LP actually finds Fitzgerald singing six numbers with the Jimmy Jones Trio and only "Mack the Knife" and a scat-filled "It Don't Mean a Thing" with the orchestra. Ellington has eight numbers for his band, mostly remakes of older tunes (including a guest appearance by former associate Ben Webster on "All Too Soon," a remarkable Buster Cooper trombone feature, and a rowdy version of "The Old Circus Train Turn-Around Blues"). This is a spirited set of music that with better planning could have been great.

The cartoon drawing of Ella Fitzgerald on the cover of Gold may lead some to equate this with the parade of pitiful compilations foisted on the market by budget labels, but this two-disc set arrives from Verve, the home of Ella's finest recordings. Listeners wanting a brief overview of the most swinging female in history couldn't do much better than this - assuming, of course, that they don't need informed liner notes or full discographical information on these performances. Overwhelmingly from the '50s and early '60s, Gold compiles 39 excellent performances and wisely focuses on her songbook recordings of the era, heavy on Cole Porter, George & Ira Gershwin, Irving Berlin, and Rodgers & Hart. Not every song here comes from a songbook, though. Also included is Ella's stunning, legend-making 1960 performance of "Mack the Knife" at a Berlin concert.

Early years recordings.
Recognized worldwide as "The First Lady of Song," Ella Fitzgerald is arguably the finest female jazz vocalist of all time. Blessed with a highly resonant voice, wide range, and near-perfect elocution, Fitzgerald also possessed a deft sense of swing, and with her brilliant scat technique, could hold her own against any of her instrumental contemporaries. She came to initial popularity as a member of drummer Chick Webb's band in the 1930s, scoring a hit with a "A-Tisket, A-Tasket," before ascending to wide acclaim in the 1940s with Jazz at the Philharmonic and Dizzy Gillespie's Big Band, and issuing landmark performances like "Flying Home" and "How High the Moon"…

Another typically wonderful LP of Ella Fitzgerald in her prime, Fitzgerald is joined by pianist Lou Levy, guitarist Herb Ellis, bassist Joe Mondragon, and drummer Stan Levey. Fitzgerald is in fine form on such numbers as "A Night in Tunisia," an emotional "You're My Thrill," "Jersey Bounce," and "Clap Hands! Here Comes Charlie." Although not reaching the heights of her live performances, this is an excellent (and somewhat underrated) set.