Ella+fitzgerald

Ella Fitzgerald - The Complete Decca Singles, Vol. 2: 1939-1941 (2017) {2CD Set, Verve Reissues, Digital Only Issue}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 696 Mb | MP3 @320 -> 410 Mb | Cover | 5% repair rar
© 1939-41, 2017 Verve Reissues / UMG | Digital Only Issue
Jazz / Vocal Jazz / Bop / Standards / Swing

Come on folks, this is ELLA FITZGERALD we're talking about. Ella from her early years, recording for Decca Records. Oh the songs on this collection! Oh the memories! Every single song is fabulous and if you like music, you need to own this collection. Not just Jazz, not just Swing, not just Pop - but all Ella, all GREAT. Highly recommended.

On this four-CD set are some of Ella Fitzgerald's finest live performances during the years she was managed by Norman Granz. All of the material (which is taken from ten different performances in 1953, 1966, 1967, 1971, 1972, 1974, 1975, 1977, 1979 and 1983) was previously released on various Pablo albums. Since this is a best-of collection and was lovingly put together by the knowledgeable producer Eric Miller, the music is consistently rewarding and emphasizes the interpretive skills, scatting and jazz phrasing of the First Lady of Song. Although mostly backed by her trio/quartets of the period, Ella does get to jam "Perdido" with the 1953 JATP All-Stars, is backed by the Duke Ellington and Count Basie Orchestras on some songs and revisits "Flying Home" with an all-star group in 1983…

The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess (1959),. Each release earned both commercial and critical success. As well, tracks related to those albums have also appeared in various forms in multi-artist collections and other such records.

Producer Norman Granz oversaw two Porgy & Bess projects. The first involved Ella Fitzgerald and Louis Armstrong, and came together during the autumn of 1957 with brassy big band and lush orchestral arrangements by Russ Garcia. This is the classic Verve Porgy & Bess, and it's been reissued many, many times. The second, recorded during the spring and summer of 1976 and issued by RCA, brought Ray Charles together with versatile British vocalist Cleo Laine, backed by an orchestra under the direction of Frank DeVol. A comparison of these two realizations bears fascinating fruit, particularly when the medleys of street vendors are played back to back…

An amalgamation of two previous albums, the material here is predominately contemporary pop. Ella puts her Midas touch on compositions by Randy Newman, Bacharach/David, Harry Nilsson, and Lennon/McCartney, as well as some typical easy listening standards like "Black Coffee," "Things Ain't What They Used to Be," "Days of Wine and Roses," and "Manteca." Highlights are three Smokey Robinson compositions: "Get Ready" (where Richard Aplanalp's baritone sax replicates Melvin Franklin's bass part heard on the original by the Temptations), "The Hunter Gets Captured By the Game," and "Ooo Baby Baby." A rendition of Norman Whitfield and Barrett Strong's "I Heard It Through the Grapevine" doesn't work as well, but she nails Eddie Floyd's "Knock on Wood" like a journeyman carpenter - proving, as she does on all 22 selections, that a classy voice like hers can sing anything and sing it very well.