As a leader, Charlie Parker recorded for Savoy and Dial during 1945-1948 and then for Verve exclusively (at least in the studios) during 1949-1954. This remarkable ten-CD box set, which adds quite a bit of material to an earlier ten-LP set, contains all of these recordings plus Bird's earlier appearances with Jazz at the Philharmonic. The JATP jams are highlighted by Parker's perfect solo on "Oh Lady Be Good," a ferocious improvisation on "The Closer," and a solo on "Embraceable You" that tops his more famous studio recording. In addition, this box has all of the "Bird and Strings" sides, his meetings with Machito's Cuban orchestra, the 1950 session with Dizzy Gillespie and Thelonious Monk, small-group dates (including a 1951 meeting with Miles Davis), odd encounters with voices and studio bands, the famous "Jam Blues" with fellow altoists Johnny Hodges and Benny Carter, and his final recordings, a set of Cole Porter tunes. The fact-filled 34-page booklet is also indispensable. Highly recommended.
Morrissey has no qualms about catering to Smiths fans, opening the set with a faithful rendition of "How Soon Is Now?" Backed by a top-notch five-piece band that includes his longtime guitarist Boz Boorer, Moz runs through numerous album tracks and B-sides from QUARRY, along with Smiths classics and cover tunes. Morrissey's mid-tempo, reggae-tinged take on Patti Smith's "Redondo Beach" provides a nice change of pace in the energetic set, and later, a wonderfully dramatic version of the New York Dolls' "Subway Train" is paired in a medley with the rare track "Munich Air Disaster 1958." Throughout the concert, Moz is at his crooning best, proving that he can still work fans into a frenzy almost 20 years after his heyday with the Smiths.
This set reinstates a number of important piano recordings made for Pacific Jazz (and in the case of Jimmy Rowles Liberty). Russ Freeman and Rowles were seminal to so much of the important music that emanated from Los Angeles in the '50s and '60s that their achievements would be far too many to list here. Freeman's hard swinging style is featured on 14 tracks made between 1952 and '57. Rowles, an encyclopedic piano maestro, is represented by his rare Liberty album Rare - But Well Done and two Pacific Jazz tracks, made the end of sessions by others.
A Day to Remember conjure their blistering early work on their eighth studio album and second for Fueled by Ramen, 2025's Big Ole Album, Vol. 1. The Florida metalcore band have streamlined their sound in the decades since their 2005 debut, embracing pop hooks while still digging into the eviscerating guitars and throaty vocals. It's a potent combination that made albums like Homesick, What Separates Me from You, and Common Courtesy so abrasively memorable. With their move to Fueled by Ramen for 2021's You're Welcome, ADTR embarked on the next chapter in their saga, crafting an album that nicely balanced the heavier aspects of their sound with their knack for melodic choruses. They further champion this sweet-and-sour approach on the Big Ole Album, pummeling the listener right from the start in classic fashion with "Make It Make Sense"…
Californian group, playing somekind of Melodic/Folk Rock with minor proggy vibes.There are a few long tracks, which indeed contain some nice'n'complex drumming and impressive guitar exercises (sounds a bit like an American version of Flash during these moments), but at the end of the day everything is centered around the warm vocals, the harmonic/melodic themes and the controlled guitar solos.Lots of delicate flute as well, which adds an evident rural touch next to the acoustic sections, and songwriting is pretty.