Father to Son

When I first discovered C.P.E Bach’s keyboard music, I remember being completely amazed by its versatility and originality, by its inventiveness, spectrum of expression and its boldness. I was equally astounded by how much he preceded his time, that only one generation away from his father’s High Baroque, and long before the Viennese Classical School fully flourished, he experimented so widely, pushed boundaries tirelessly, and in many ways laid the foundation for what was to become the Classical style. That he influenced Haydn, Mozart and Beethoven is clear and known, but one could also argue that he foreshadowed in certain ways the Romantic period.

When Steve Friedman was a child growing up in the suburbs of St. Louis, the game of golf was, to him, mysterious and dark. His father's passion for it caused friction in his marriage and eluded the interest of his youngest son, who was devoted instead to basketball. For that and many other reasons, the two failed to bond, ultimately leading to an awkward and unhappy relationship.

In 1939, Gustav Kleinmann, a Jewish upholsterer in Vienna, was arrested by the Nazis. Along with his sixteen-year-old son Fritz, he was sent to Buchenwald in Germany, where a new concentration camp was being built. It was the beginning of a six-year odyssey almost without parallel.