Posthumous reconstructions of unfinished works are inherently dangerous, principally because even the most capable scholar or producer can only make, at best, an educated guess as to how the work in question would have been completed. Indeed, in dealing with some such pieces, you're sometimes lucky to get the work of the artist claimed (the Mozart Symphony No. 37 is a case in point – it doesn't exist; the piece once labeled Symphony No. 37 and attributed to Mozart is now known to have been authored by Michael Haydn); and while there's no question that the songs on this CD were recorded by Jimi Hendrix, even the people who worked on the sides with him can't say which songs would have ended up on the finished version of First Rays of the New Rising Sun (assuming that he even ended up using that title for the album), or what embellishments he would have added to any of them in the course of completing them, or even if he might not have totally reconsidered such matters as tempo and approach to any of them…
This unusual set includes Davis's first recording session and his initial date as a leader. The former is more historical than musical: four blues featuring singer Rubberlegs Williams, Herbie Fields's tenor and the noticeably nervous 18-year-old trumpeter who is actually only heard in ensembles. The latter recording finds him much more confident in 1947, heading the Charlie Parker Quintet (with Bird switching to tenor) on "Milestones," "Little Willie Leaps," "Half Nelson" and "Sippin' at Bells"; All of the alternate takes (both complete and partial) are included from both sessions. Since the later date has also been reissued on various Charlie Parker collections, this set is more for completists than for general listeners.
BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.
After two pure party albums, the inevitable had to happen: it was time for Van Halen to mature, or at least get a little serious. And so, Women and Children First, a record where the group started to get heavier, both sonically and, to a lesser extent, thematically, changing the feel of the band ever so slightly…
When then tiny independent record label Spinefarm decided to take a chance on a brand new group called Nightwish by releasing a modest 500-unit pressing of their first album, Angels Fall First (originally recorded as a simple demo), little did they know this would quickly evolve into their biggest future cash cow, and one of Finland's most successful bands ever! Believe it: such were the humble origins and expectations for both band and album; despite the already quite advanced songwriting abilities of chief architect, keyboardist, and vocalist Tuomas Holopainen, which adorned melodic power metal with gothic, folk, and classical music elements, then topped them with the budding vocal power of a still baby-faced opera student named Tarja Turunen…