Gene Machine

Carnival of Souls: The Final Sessions is Kiss' 17th studio album, and last produced before the reunion of the original Kiss members. Recorded and slated for release in 1995/early 1996, Kiss cancelled its release when they embarked on the reunion tour. However, fans located and circulated bootleg copies in fairly large numbers. Kiss finally released the album in 1997.

Here are a couple of fistfuls of tracks from the wild side of rockabilly. Over the years many 50s cuts have been issued under the rockabilly banner that would have been better described as country or hillbilly. These, however, are the real deal: hopped-up, whiskey-fuelled songs of teenage rebellion, sung by untamed rockers who probably never expected their careers to last the week. Alongside acknowledged classics of the genre such as `Put Your Cat Clothes On' by Carl Perkins, there are rare rockin' one-offs such as the frantic bass-slapping `Don't Be Gone Long' by Bob Doss or the remarkable `Wash Machine Boogie' by the Echo Valley Boys - the world's finest rockin' hymn to the romantic joys of household appliances.

This three-volume set LNCS 10361, LNCS 10362, and LNAI 10363 constitutes the refereed proceedings of the 13th International Conference on Intelligent Computing, ICIC 2017, held in Liverpool, UK, in August 2017.

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Between 1968 and 1970, some of the finest, most obscure British psychedelic pop singles of the era escaped on the Spark label, the newly-inaugurated recording arm of long-established publishers Southern Music.Recorded in the basement studio of the company’s Denmark Street premises, these tracks often featured the same cabal of musicians and songwriters, leading to a homogenous in-house style that perfectly encapsulates the late 1960s British pop-psych studio sound.

Between 1968 and 1970, some of the finest, most obscure British psychedelic pop singles of the era escaped on the Spark label, the newly-inaugurated recording arm of long-established publishers Southern Music.Recorded in the basement studio of the company’s Denmark Street premises, these tracks often featured the same cabal of musicians and songwriters, leading to a homogenous in-house style that perfectly encapsulates the late 1960s British pop-psych studio sound.