Apparently Benson got the message. Giving up the fruitless search for decent contemporary material, he switched gears and recorded an album of old standards with top-grade jazz musicians (including pianist McCoy Tyner and bassist Ron Carter) and Marty Paich's classy string and brass charts. With good songs to sing, Benson gives some moving performances, particularly on "This Is All I Ask," and there is a lovely reminder of his affinity for the Beatles, "Here There and Everywhere." Moreover, his jazz instincts were fully at his command; you'll hear some remarkable Latin-slanted guitar work on "At the Mambo Inn," some brilliant bebop on "Stella By Starlight" and "I Could Write a Book," and a stunning solo performance of "Tenderly" itself…
This particular Original Album Classics release contains five albums issued by George Benson through the Warner Bros. label: Breezin' (1976), Weekend in L.A. (1977), Give Me the Night (1980), Tenderly (1989), and Big Boss Band (1990). This is a rather arbitrary assortment; Benson made several other significant albums during the span covered here, and the stylistic differences between the earliest and latest sets are stark…
This particular Origina Album Classics release contains five albums issued by George Benson through the Warner Bros. label: Breezin' (1976), Weekend in L.A. (1977), Give Me the Night (1980), Tenderly (1989), and Big Boss Band (1990). This is a rather arbitrary assortment; Benson made several other significant albums during the span covered here, and the stylistic differences between the earliest and latest sets are stark.
Present Tense was born out of two very specific desires. First, saxophonist James Carter wanted a precise recorded portrait of where he was at as a musician, aesthetically and technically. Second was producer Michael Cuscuna's dead-on assertion that Carter, for all his instrumental and aesthetic virtuosity, had never been represented well on tape. Carter's inability to resist overdoing it on virtually everything he records (ten-minute solos in standards, etc.) makes that point inarguable. Cuscuna proves to be the perfect producer - as both ally and foil - and reins Carter in to benefit the recording as a whole. The band on Present Tense is solid: the young trumpeter and fellow Detroiter Dwight Adams, pianist D.D. Jackson, bassist James Genus, and drummer Victor Lewis round out the quintet, with percussionist Eli Fountain and guitarist Rodney Jones playing on three cuts each…
Yes, Steeve Laffont is a Manouche, and yes again, he plays in Django style as only a handful of guitarists can. But his artistic ambitions are not limited to working in the wake of Django and his singular approach to jazz. Laffont has equal talent playing guitar in many other styles and he approaches all of them with the same fervor and the same spontaneity. In his playing you can hear the same supple feline grace as Grant Green, the same controlled fieriness as Wes Montgomery, the same sophisticated elegance as Joe Pass, the same sense of melody as Charlie Byrd and the same rolling groove as George Benson. New Quintet's twelve brilliant tracks amply display the many colors and strengths of Laffont's artistry.
Enjoy Vocal Jazz's finest in the best possible audio quality with our selection of legendary tracks in Hi-Res, featuring Nina Simone, Billie Holiday, Nat King Cole, Sarah Vaughan, Chet Baker, Ella Fitzgerald, Louis Armstrong, Frank Sinatra, Mel Tormé, Blossom Dearie, Dizzy Gillespie, Anita O'Day, Chris Connor, Tony Bennett, Diana Krall, Jamie Cullum, Norah Jones, Michael Bublé, Melody Gardot, Gregory Porter, Kat Edmonson…