Harry Nilsson The Real...

The Nation's Favourite…' shows signify the very best in music to the British public previously including hugely iconic artists and genres such as Elvis, Abba, Queen, Bee Gees and Motown. The series has literally become the Nation's favourite music documentary and 2015 will see the brand branch out into eras as they launch 2 new shows, 'The Nation's Favourite 70s Number Ones' & 'The Nation's Favourite 80s Number Ones'. 'The Nation's Favourite 70s Number Ones' will count down the UK's most-loved hits from the decade. ITV viewers have been voting for their favourite 70s songs through the ITV website with the winner being announced at the end of the show, on air primetime 05/03/15. 'The Nation's Favourite 70s Number Ones' album perfectly reflects the show with the 20 biggest hits & names from the countdown but also includes 48 other massive number one hits, across 3 CDs, from the 70s…

What would the movies be without music? Imagine Pulp Fiction without Dick Dale’s cataclysmic surf-rock guitar. Or Super Fly without Curtis Mayfield’s haunted croon. It’s impossible to do. Throughout film history, songs have added glory to struggle, majesty to landscapes, depth to heroes and villains alike. When sound and vision meet, transcendence ensues. A Night At The Movies is a brand new 3CD collection of songs which not only featured in iconic films, but elevated them to legendary status. So ladies and gentlemen, take your seats, and enjoy the show!

Smokey-voiced chanteuse Madeleine Peyroux's third CD is a lovely collection of after-hours ruminations and should confirm her rise to fame. Credit producer Larry Klein for doing a bang-up job with the album's sound: the elegant, pared-down arrangements are all brushed drums, acoustic guitars, and cool organ licks. But of course it's Peyroux's voice that brings it all home–preferably one where the shades are drawn, embers are smoldering in the fireplace, and the white wine is kept dry. Two-thirds of the songs are well-chosen covers, including a duet with k.d. lang on Joni Mitchell's "River"; a relaxed version of Fred Neil's "Everybody's Talkin'," from Midnight Cowboy; a delicately lilting samba take on Leonard Cohen and Anjani Thomas's title track; Serge Gainsbourg's "La Javanaise," performed in the original French; and Charlie Chaplin's "Smile," from Modern Times. The four originals, all coauthored by Peyroux, easily keep up with such august company, especially "I'm All Right"–written with Klein and Walter Becker, it captures the easy sophistication of Becker's regular band, Steely Dan. Fans of Norah Jones (whose collaborator Jesse Harris cowrote three of the songs) should gobble up this album, but Peyroux is no mere imitator: She's her own, very real thing.

Hard as it is to believe but there has not been a proper Ringo Starr hits collection since the first, 1975's Blast from Your Past – that's not counting 1989's Starr Struck: Best of Ringo Starr, Vol. 2, which was designed as a companion to that earlier set – until 2007's Photograph: The Very Best of Ringo Starr…

For the majority of American listeners, Lulu's career began and ended with "To Sir with Love," the theme song to the 1967 box office hit, though she enjoyed considerably greater success in the United Kingdom, and not without reason. Lulu had a solid, spirited voice that could handle an admirable range of material, and she tended to get good songs that she made the most of with the assistance of some very talented studio help (John Paul Jones arranged much of the material on her 1969 set Lulu's Album).