2023 release. The Defiants return with their third album, Drive. Formed by Paul Laine, Bruno Ravel, and Rob Marcello, who are all current or former members of beloved rockers Danger Danger, the album is a glorious return to the "in your face" melodic hard rock that enraptured millions of fans back in the '80s and '90s and is now influencing a new generation of hard rock lovin' bands. Huge choruses & hooks and soaring guitars and vocals are the order of the day here.
The release of this edition was held October 8, 1998. All data cover releases were made by Dutch Artidee Creatieve Communicatie, and photo materials were prepared ANP Foto Dutch branch of the German conglomerate.
The TV show presented here, which opens with Pass playing alone on six wonderful tunes, was made during a European tour that took place some months before the recording of their second album as a duet, titled precisely Fitzgerald & Pass… Again, taped on february 8, 1976. Thus, it presents some tunes that would be part of that lp, making this program (and probably the whole tour) a kind of rehearsal for the songs to be included on the studio album. That's the case of "One Note Samba", "Nature Boy", "The One I Love (Belongs to Somebody Else)". However, we have also here the only known versions by Ella and Joe as a duet of no less than six songs. That's the case of "You turned the tables on me", "Cry Me a River", "You Are the Sunshine of My Life", "Avalon", "Stormy Weather" and the classic "How High the Moon", with which Ella closes the show inserting quotations of, among others, "Mack the Knife", "Desafinado" and "Summertime".
'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1950 to 1959.
Upon leaving UK, before reaching Asia, journeyman John Wetton released his first solo album, Caught in the Crossfire. Although a vocal doppelgänger of Greg Lake, as a songwriter Wetton was always more of a team player, so there was no occasion in Wetton's past work where you could say, "Aha, this is what he'd sound like on his own." And he is largely on his own here, handling vocals, bass, keyboards, and even guitar while writing all of the material (though Peter Sinfield does chip in on "Get What You Want"). The result is surprisingly good; Wetton is clearly more comfortable writing songs on the bass, but he fleshes them out nicely with keyboards, supported by Bad Company drummer Simon Kirke, embellished with the plaintive guitar leads of Jethro Tull's Martin Barre, and polished with a pair of saxophone solos from Malcolm Duncan.