It Ends With Us 2024

Jon Foreman Announces New Album In Bloom Out May 31st. March 7th – Today, prolific singer-songwriter (and lead singer of GRAMMY-Award winning rock band, Switchfoot) Jon Foreman announces his new LP, In Bloom, out May 31st. Co-produced with James McAlister (Taylor Swift, Ed Sheeran, Sufjan Stevens), the 12-song collection was crafted to accompany a drive down the California coast on a sunny afternoon. Alongside the album’s announcement, Foreman releases the title track, “In Bloom,” a beautiful meditation on beauty within the journey from womb to tomb, which features vocals from singer-songwriter Joy Oladokun. The soft guitar strums make room for Foreman’s contemplative lyrics, searching for hope, and yearning to bloom like a wildflower in the desert.

Morsefest, hosted annually by Neal Morse in Nashville, Tennessee, has been around since 2014. The weekend event usually celebrates the music of Neal's solo projects and other bands from his career. But with each Morsefest, the loyal audience that returned year after year was left with one question: when will Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas perform at Morsefest?

"Crafting the Kanata: A Step-by-Step Guide to the Easy Square Crochet Top"

Your 3-in-1 Journey to ACC, PCC, and MCC Certification Greatness: Master Skills, Build Confidence, Transform Lives!

Continuing his long-running and highly respected series for Ace, spanning year by year since the germination of his 1966 volume for both Ace and Faber Books, Jon Savage serves us up another of his spectacular insights into popular culture, this time for the years 1983 to 1985. Born out of the ashes of post-punk, there were plenty of experimental singles during the early part of this period: Siouxsie’s ‘Swimming Horses’, Shriekback’s ‘Lined Up’, Soft Cell’s ‘Heat’, Echo & The Bunnymen’s ‘Gods Will Be Gods’, and the Smiths’ ‘Girl Afraid’ – a perfect kitchen sink scenario. Pete Shelley and Scritti Politti went the electronic route to great effect, while the Special AKA delivered the perfect riposte to ‘Hard Times’ (all those ripped jeans) and having fun on the dole with the under-appreciated ‘Bright Lights’.

This trio that is creating spontaneous textures from outer and inner space should enthrall and capture the attention of listeners familiar with the musical experiments of the last century and the inventiveness of the first quarter of the twenty-first century.