James W. Williams

Two CDs containing talented guitarist, comedian and writer Mason's five albums for Warner Bros Records, dating from 1968 to 1971. Originally featured on 'The Smothers Brothers Comedy Hour' US TV show, 'Classical Gas' as performed by Williams became a US No.2 hit and a Top 10 hit in the UK and Canada. Williams has had a varied career, from recording with Mannheim Steamroller to bluegrass with Byron Berline, to writing comedy for 'Saturday Night Live'.

Lionel Tertis (1876-1975), a great genius of the viola, is little known to today’s public. Timothy Ridout pays tribute to this key figure in his instrument’s history with a flamboyant programme featuring music by Tertis’s friends, teachers and students alongside some of his own original works and transcriptions. A marvellous musical journey, rich in discoveries.

Between 1986 and 1987, Mercury launched its first effort to chronicle Hank Williams' complete recorded works, releasing a series of eight double albums/single CDs which were later collected as a box set. Both the individual compilations and the box set were pulled from the market in the '90s, clearing the way for The Complete Hank Williams, a ten-disc box set which purported to contain all of Williams' recordings…

One thing about chronologically arranged reissues - you never know exactly what you're going to bump into. The third volume of the complete recordings of Mary Lou Williams, for example, opens with a pair of tunes sung by Josh White. It's good to hear the lyrics to Williams' cool, bluesy "Froggy Bottom," but "The Minute Man" is one of those obligatory, rhetorical patriotic numbers that cropped up everywhere during WWII and are relevant today only as historical curiosities. Most of the music reissued in this compilation originally appeared on scratchy 78-rpm records bearing the Asch label. Tenor sax archetype Coleman Hawkins is featured on the lush "Song in My Soul" and trumpeter Bill Coleman presides over a laid-back strolling blues with the worrisome title "Carcinoma"…

A more mature, calculated album from a pop star who's often gloried in being immature and spontaneous, I've Been Expecting You may suffer from comparisons to its excellent predecessor, but it also finds Robbie Williams weathering the sophomore storm quite well. While Williams' debut was infectious and outrageous, the second is indeed a more studied album. The opener, "Strong," begins very well, with the spot-on lyrics: "My breath smells of a thousand fags/And when I'm drunk I dance like me Dad," and "Early morning when I wake up/I look like Kiss but without the makeup." Many of the tracks on I've Been Expecting You show an undeniable growth, both in songwriting and in artistic expression; two of the highlights, "No Regrets" and "Phoenix From the Flames," are sensitive, unapologetically emotional songs that may not be as immediately catchy as those on his debut, but pack a greater punch down the road. Williams does indulge his sense of fun occasionally, playing up James Bond during the transcontinental hand-waver "Millennium" (which samples Nancy Sinatra's theme for You Only Live Twice), and simply roaring through "Win Some Lose Some" and "Jesus in a Camper Van."

While many considered Car Wheels on a Gravel Road and Essence as definitive statements of arrival for Lucinda Williams as a pop star, she "arrived" creatively with her self-titled album in 1988 and opened up a further world of possibilities with Sweet Old World. The latter two records merely cemented a reputation that was well-deserved from the outset, though they admittedly confused some of her earliest fans. World Without Tears is the most immediate, unpolished album she's done since Sweet Old World…

This blues-oriented set has the feel of a jam session. Bassist Willie Kent and Lil Ed Williams split the vocals on a date that features contrasting guitar voices in the relatively clean Eddie C. Campbell and the more distorted playing of Williams; both have plenty of solo space. Pianist Allen Batts and drummer Baldhead Pete Williams are quite solid behind the lead voices who get to stretch out on the basic but highly appealing material. Who's Been Talking, which includes songs by Howlin' Wolf, Elmore James and J.B. Hutto in addition to the newer songs, is easily recommended to modern blues collectors.

This blues-oriented set has the feel of a jam session. Bassist Willie Kent and Lil Ed Williams split the vocals on a date that features contrasting guitar voices in the relatively clean Eddie C. Campbell and the more distorted playing of Williams; both have plenty of solo space. Pianist Allen Batts and drummer Baldhead Pete Williams are quite solid behind the lead voices who get to stretch out on the basic but highly appealing material. Who's Been Talking, which includes songs by Howlin' Wolf, Elmore James and J.B. Hutto in addition to the newer songs, is easily recommended to modern blues collectors.