Jimmy+page

CDs from this collection began to appear in the sale of one after the other in early 1998. The collection was designed primarily for fans of blues and those wishing to join him in France, Canada and other French-speaking countries, as its literary part was originally made in French and it seems and has not been translated into other languages.

Jimmy Rushing - Cat Meets Chick & The Jazz Odyssey of Jimmy Rushing Esq. (1956) {Columbia–Collectables COL-CD-7496 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 224 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 27 Mb | 5% repair rar
© 1955-56, 2002 Columbia / Collectables Records / Sony Music | COL-CD-7496
Jazz / Vocal Jazz / Jazz Blues

Jimmy Rushing's first two Columbia Records albums, recorded in 1955 and 1956 and originally released in 1956 and 1957, both have concepts behind them. Cat Meets Chick is actually co-billed to Ada Moore (who had just made her Broadway debut in House of Flowers) and trumpeter Buck Clayton, and it is "a story in jazz," the story being Rushing and Clayton's attempts to woo Moore in song. The plot is silly, but it's just an excuse to have Rushing, sometimes joined by the pleasant alto of Moore, fronting Clayton's Count Basie-style orchestra on some old favorites.

Rooted in the Blues and spanning out to include a variety of rock, tropical and blues styles, while using all the spare keys available to an accomplished guitarist, this music rocks, rolls and captures emotions. Jimmy Thackery has been writing and performing his original music for over 40 years, hitting the stages of large venues and getting down at your favorite neighborhood bars. An impeccable crowd pleaser, his loyal fans never miss the chance to see his live performances, and he relishes their commitment by giving the best show possible every time he and The Drivers set the downbeat. Spare Keys is a showcase of Jimmy's styles, many of which he gained by playing with and learning from some of the famous original Bluesmen, such as Muddy Waters and Otis Rush. Jimmy leads you on an emotional journey through the jungle, around some heartache and into the floating clouds that you'll want to ride as long as possible.

Jimmy Bryant - Frettin' Fingers: The Lightning Guitar Of Jimmy Bryant (2003) {3CD Set Sundazed SC11134 rec 1950-1967}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 700 Mb | MP3 @320 -> 353 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1950-67, 2003 Sundazed Music / EMI Music | SC 11134
Country / Jazz / Americana / Western Swing / Guitar

Here's the kind of gargantuan production that only Bear Family in Germany has usually undertaken for vintage American country artists: a three-CD set, encompassing 75 songs and nearly three hours of music recorded by guitar great Jimmy Bryant from 1950-1967. This is on Sundazed, however, and it's good to see an American label taking a chance on a major archival collection on a not-too-famous performer that by its nature is going to rule out casual buyers. Many listeners will be sated with a single-disc compilation of Bryant's work (particularly the tracks on which he collaborated with pedal steel guitar master Speedy West), and the wholly instrumental format might make this hard to listen to in one sitting even for committed fans.

Nowadays, what's the point of chronicling this "Remasters" when the group released "Mothership" in 2007, which makes it obsolete? Because this record is historic. It is the first to be officially released under the LED ZEPPELIN name since "Coda" in 1982. The 1985 reformations for Live Aid and the 1988 reformation for the 40th anniversary, with Jason Bonham behind the sons, son of the late John n ' will have been occasional and here, there is no place for a fanfare of the Airship. Jimmy Page just wanted to deliver a compilation worthy of the name years after the band's smashing debut, years after a half-hearted ending. How many of you have known LED ZEPPELIN with this "Remasters"? How many of you have had a breath of nostalgia when you saw this cover?

Jimmy Giuffre, Jim Hall Trio - Complete Studio Recordings, 1956-1959 (2008) {4CD Set Gambit Records 69300}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.40 Gb | MP3 @320 -> 723 Mb
Full Artwork @ 300 dpi (jpg) -> 49 Mb | 5% repair rar
© 1956-59, 2008 Gambit Records | 69300
Jazz / Cool / Saxophone / Guitar

Jimmy Giuffre may not have gotten his due with American audiences outside very specific kinds of jazz circles, but he was loved and respected by other musicians and the audiences of Europe and Asia. His reputation among those groups of listeners and players is well deserved for the radical, if quiet and unassuming path he walked throughout his seven-decade career. These sides, recorded between 1956 and 1959 with guitarist Jim Hall, his most symbiotic collaborator and foil, are at the heart of his reputation as a pioneer – even more so than his killer early-'60s sides (à la Free Fall) with Paul Bley and Steve Swallow.