'Speak Now (Taylor's Version)' is the third re-recorded album by American singer-songwriter Taylor Swift, released on July 7th 2023. It is a re-recording of Swift's third studio album, 'Speak Now' (2010), and follows her 2021 re-recorded albums, 'Fearless (Taylor's Version)' and 'Red (Taylor's Version)'. The re-recording is a part of Swift's counteraction to her 2019 masters dispute. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. The CD includes 22 songs, including 6 previously unreleased songs from the vault.
'Speak Now (Taylor's Version)' is the third re-recorded album by American singer-songwriter Taylor Swift, released on July 7th 2023. It is a re-recording of Swift's third studio album, 'Speak Now' (2010), and follows her 2021 re-recorded albums, 'Fearless (Taylor's Version)' and 'Red (Taylor's Version)'. The re-recording is a part of Swift's counteraction to her 2019 masters dispute. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. The CD includes 22 songs, including 6 previously unreleased songs from the vault.
'Speak Now (Taylor's Version)' is the third re-recorded album by American singer-songwriter Taylor Swift, released on July 7th 2023. It is a re-recording of Swift's third studio album, 'Speak Now' (2010), and follows her 2021 re-recorded albums, 'Fearless (Taylor's Version)' and 'Red (Taylor's Version)'. The re-recording is a part of Swift's counteraction to her 2019 masters dispute. It features collaborations with American rock acts Fall Out Boy and Hayley Williams. The CD includes 22 songs, including 6 previously unreleased songs from the vault.
John Turville has put together a quintet that spans generations for this lively, self-assured release, with saxophonist Julian Arguelles, a mainstay of British jazz for over 30 years, joining younger musicians like drummer James Maddren and Robbie Robson on trumpet. Dave Whitford is on bass.
For Morning Glory, John Surman sets aside his signature baritone saxophone in favor of soprano sax, bass clarinet, and synthesizer – the result is a record as radiant and beautiful as its title portends, comprised of four epic tracks that despite their scope represent his most mainstream work to date. The skill and dexterity of the improvisations here are astounding. Surman and sidemen Terje Rypdal (guitar), Chris Laurence (bass), John Taylor (electric piano), Malcolm Griffiths (trombone), and John Marshall (drums) connect on an almost telepathic level. But for all its experimental approaches and ingenious ad-libbing, Morning Glory is a remarkably generous album, inviting and approachable like few avant-jazz dates before it. So much of Surman's brilliance hinges on his refusal to alienate listeners regardless of their personal leanings and expectations, while at the same remaining true to his singular muse.
John Surman's thoughtful solos (which take their time and make a liberal use of space) have long made him the perfect ECM artist. On his quartet set with pianist John Taylor, bassist Chris Laurence and drummer John Marshall, Surman mostly sticks to soprano although there are some short spots for his baritone and bass clarinet. Surman always sounds relaxed, even on the more heated originals. It's an interesting set of generally introverted music.