Album Notes:
Greatest was an update of the 1989 tenth anniversary compilation album, Decade: Greatest Hits. The new release included songs from their eponymous debut album through 1997's Medazzaland. The album includes all 14 songs featured in Decade: Greatest Hits, plus "New Moon on Monday" and four singles from the 90's, however both "Save a Prayer" and "Rio" are presented in their shorter US versions in order to fit on a single CD whereas they appeared in their full versions on the former compilation. The album was released by EMI after parting ways with the band after the disastrous Medazzaland album release in 1997, and marked the first of many releases designed to capitalize on the band's extensive EMI-controlled back catalog. To coincide with the release of the Greatest album in the United Kingdom, the song "Electric Barbarella" was released as a single. This track was originally released as a single in North America in 1997 to promote the Medazzaland album (which was never released in the UK). As of 2009, the collection has sold over a million copies in the United States. To date, a full collection of Duran Duran's singles on one album still hasn't been released. The album release was followed in 1999 by the release of a videotape compilation of the band's groundbreaking music videos, also entitled Greatest. It was not released on DVD at the time, probably due to the band's disintegrating relationship with Capitol Records.
AVID Jazz continues with its Four Classic Albums series with a finely re-mastered 2CD release from John Coltrane with The Red Garland Trio & Quintet.
Filmed at the MEN Arena in Manchester on 16 December 2011, this stunning Duran Duran live show is the perfect combination of great music, amazing visuals and iconic style which has been the band s trademark throughout their career. Following the release of their acclaimed All You Need Is Now album, this concert combines new songs from that release with their classic hits. Whether in the studio or the live arena, Duran Duran are masters of their craft and this latest concert bursts with energy and oozes class in the way that only they can.
Duran Duran personified new wave for much of the mainstream audience. And for good reason. Duran Duran's reputation was built through music videos, which accentuated their fashion-model looks and glamorous sense of style. Without music videos, it's likely that their pop-funk – described by the group as the Sex Pistols-meet-Chic – would never have made them international pop stars…
This behind the scenes look at the making of British band Duran Duran's seminal album Rio features commentary from the band, their producers, and music journalists like Beverley Glick, breaking down the writing and recording process song-by-song. The program also includes footage from a live performance by the band in Boston.
Duran Duran personified new wave for much of the mainstream audience. And for good reason, too. Duran Duran's reputation was built through music videos, which accentuated their fashion-model looks and glamorous sense of style.
Five of the six selections on this CD reissue feature drummer Art Taylor in an all-star sextet of mostly young players comprised of trumpeter Donald Byrd, altoist Jackie McLean, Charlie Rouse on tenor, pianist Ray Bryant, and bassist Wendell Marshall. Among the highpoints of the 1957 hard bop date are the original version of Bryant's popular "Cubano Chant" and strong renditions of two Thelonious Monk tunes ("Off Minor" and "Well, You Needn't") cut just prior to the pianist/composer's discovery by the jazz public. Bryant is the most mature of the soloists, but the three horn players were already starting to develop their own highly individual sounds. The remaining track (a version of Jimmy Heath's "C.T.A.") is played by the quartet of Taylor, tenor saxophonist John Coltrane, pianist Red Garland, and bassist Paul Chambers and is a leftover (although a good one) from another session.
The artistic prowess of saxophonist John Coltrane was so expansive and influential - even in his own short lifetime, let alone in the decades since his death - that it's difficult to quantify or differentiate his significance as a leader, a collaborator, a sideman or any other role in the jazz idiom. What's certain, though, is that some of his most pivotal session work took place on the Prestige label in the 1950s.