Keith+emerson

Emerson, Lake & Palmer - The Original Bootleg Series from The Manticore Vaults, Vol. 1 Set 2 (2001) {2CD Castle Music rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 549 Mb | MP3 @320 -> 236 Mb
Full Artwork @ 600 dpi (jpg) -> 58 Mb | 5% repair rar
© 1972, 2001 Castle Music / Sanctuary Record | CMDDD313 (CMXBX309)
Rock / Art Rock / Progressive Rock

Set 2: "The Iridescent Concubine" - Louisville Town Hall, Kentucky - Apr. 21st 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.

Emerson, Lake & Palmer - The Original Bootleg Series from The Manticore Vaults, Vol. 1 Set 4 (2001) {Castle Music rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 428 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 600 dpi (jpg) -> 58 Mb | 5% repair rar
© 1972, 2001 Castle Music / Sanctuary Record | CMDDD314 (CMXBX309)
Rock / Art Rock / Progressive Rock

Set 4: "Iconoclastic Madness" - Saratoga Performing Arts Center in Saratoga Springs, NY, on August 13, 1972. This set and its companion, the eight-CD volume two, display all the strengths that made Emerson, Lake & Palmer one of the world's most popular bands during the '70s, and the weakness that comes with a trio's attempt to play complicated music. Keith Emerson was a virtuoso keyboard player, Greg Lake supplied a pleasant voice and flair for writing melodic songs, and Carl Palmer played drums as though he would perish if he stopped. But the group lacked the depth of fellow progressive rock bands, such as Yes and King Crimson. Those groups supplied multiple lead instrumentalists – Yes with their guitar/keyboard tandem and Crimson with their venerable guitarist, Robert Fripp, and a series of cohorts who played saxophone, violin, or second guitar.

In august, 1970, 600,000 people, the largest audience in the history of pop music, attended the Isle of Wight Festival and experienced the debut performance of a new "supergroup," Emerson Lake & Palmer. With a spectacular stage show that included real cannons being fired over the heads of the audience, they became overnight stars with the press raving about their virtousity and daring. Intercut with the live footage from the show, this film also features brand new interviews with Keith Emerson, Greg Lake and Carl Palmer, as well as their then-manager John Gaydon and creates a vivid portrait of the birth of a band.

Prog rock super group, Emerson, Lake & Palmer took the music world by storm in the 1970s. Keyboardist and former The Nice member Keith Emerson's virtuoso abilities were matched by drummer Carl Palmer and former King Crimson member, bassist Greg Lake, who added a pop sensibility to the mix…

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here…

Upon its release, the 1973 LP Brain Salad Surgery had been hailed as Emerson, Lake & Palmer's masterpiece. A long tour ensued that left the trio flushed and begging for time off. Before disbanding for three years, they assembled a three-LP live set (something of a badge of achievement at the time, earned by Yes in 1973 with Yessongs and, somewhat more dubiously, Leon Russell with Leon Live)…

Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records…

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here…

In 1977, after three years' time off working on various solo projects – which were to have culminated with a trio of solo albums – Emerson, Lake & Palmer reunited to release Works, Vol. 1, a double LP containing the best of the solo works plus a side of group-conceived pieces. All in all, it was the most ambitious and wide-ranging body of music they'd ever released, and was followed by the more modestly proportioned but still successful Works, Vol. 2 in November of that year, and a tour that fall and winter; in keeping with the albums that spawned it, the concerts initially featured a 90-piece orchestra supporting the trio…

Love Beach is the seventh studio album by English progressive rock group Emerson, Lake & Palmer, released in 1978. It was the band's final album of original material until Black Moon (1992) and was produced to satisfy contractual obligations with the group's record company…