Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did…
This is the first official release of 3 Live in Concert. Recorded in 1988, the sound quality of this live recording is fantastic. Hearing all the tunes from the1988 studio album in this live setting is a real treat. It brings back memories of seeing this show later in the tour…
Essential: a masterpiece of symphonic rock music
What a rush it was to put this on this then 15 year old kid who grew up playing with his toys under his sisters baby grand piano while she practiced this and other classics. Being really ELP’s initial work it is truly amazing.
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did…
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did…
New title in the excellent value "Booksets" range. These are limited edition, multi-CD sets packaged in DVD sized Ecol-books, containing the contents of rare, expensive & hitherto unavailable box sets. Finally, EL&P has a retrospective to match the band's music. 5 CDs, basically chronologically arranged. The set includes unheard mixes and an excellent unreleased 'Tarkas'-era track that would have benefitted that album greatly. After a raft of chances missed where presenting the 'band that never ends' were concerned, the record label has, as this review's title says, at last made up for it all. Anyone hearing these CDs will be unable to laugh at the band or take them lightly. Emerson, Lake and Palmer truly were the greatest progressive act on earth. And, now, here's the proof.
Though no one talked about it at the time of its release, this album reflected a growing split within the group. Originally, the trio's members, tired of sublimating their musical identities within the context of ELP, each intended to do a solo album of his own…
The Shout! Factory label continued its series of reissues from progressive rock masters Emerson, Lake & Palmer with 2011's Live at the Mar y Sol Festival '72. Keyboardist Keith Emerson, vocalist/bass guitarist/guitarist Greg Lake, and drummer Carl Palmer were only three years into ELP and were riding high on their massive success at the time of the show on April 2, 1972, the second day of this three-day festival in steamy, scorching Puerto Rico…
Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did. Indeed, "Karn Evil 9" is the piece and the place where Keith Emerson and his keyboards finally matched in both music and flamboyance the larger-than-life guitar sound of Jimi Hendrix. This also marked the point in the group's history in which they brought in their first outside creative hand, in the guise of ex-King Crimson lyricist Pete Sinfield…