Led For Plant

For years, Led Zeppelin fans complained that there was one missing item in the group's catalog: a good live album. It's not that there weren't live albums to be had. The Song Remains the Same, of course, was a soundtrack of a live performance, but it was a choppy, uneven performance, lacking the majesty of the group at its peak. BBC Sessions was an excellent, comprehensive double-disc set of their live radio sessions, necessary for any Zeppelin collection (particularly because it contained three songs, all covers, never recorded anywhere else), but some carped that the music suffered from not being taped in front of a large audience, which is how they built their legacy - or, in the parlance of this triple-disc collection of previously unreleased live recordings compiled by Jimmy Page, How the West Was Won. The West in this case is the West Coast of California, since this contains selections from two 1972 concerts in Los Angeles…

Since Us and Them – Symphonic Pink Floyd was such an unexpected success, a sequel was in order, so conductor Peter Scholes, Killing Joke's Youth and Jaz Coleman, and the London Philharmonic Orchestra decided to set their sights on another classic rock titan: Led Zeppelin…

Led Zeppelin's reunion for an Ahmet Ertegun tribute concert in November 2007 (pushed back a couple of weeks due to a finger injury Jimmy Page sustained during rehearsals) seemed like a spur of the moment thing – but how spontaneous could it have been if it just happened to coincide with the release of an expanded The Song Remains the Same on both CD and DVD, the debut of their catalog as digital downloads, and the new two-disc compilation Mothership as a sampler of the whole shebang? Considering this full-scale, multi-prong assault – which also included a new album by Robert Plant, after all – it was probably not all that spontaneous. Such a precise attack suits this most mythic of classic rock groups, who always benefited from an enormous sense of scale.

Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…

Led Zeppelin's reunion for an Ahmet Ertegun tribute concert in November 2007 (pushed back a couple of weeks due to a finger injury Jimmy Page sustained during rehearsals) seemed like a spur of the moment thing – but how spontaneous could it have been if it just happened to coincide with the release of an expanded The Song Remains the Same on both CD and DVD, the debut of their catalog as digital downloads, and the new two-disc compilation Mothership as a sampler of the whole shebang? Considering this full-scale, multi-prong assault – which also included a new album by Robert Plant, after all – it was probably not all that spontaneous. Such a precise attack suits this most mythic of classic rock groups, who always benefited from an enormous sense of scale.

The tape is a fantastic soundboard recording. Crystal clear and well balanced. The crowd comes across quite well for a soundboard. Jones’ bass is a bit loud in the mix, and there is a bit too much “swishing” top end on Bonzo’s drums, but these are nitpicks at worst. Apart from a slight cut in Moby Dick, along with a couple of others that cut out a bit of Plant’s banter here and there, the performance is completely preserved…