Friedrich Lux (1820–95) was one of those musicians who formed the fabric of musical life in nineteenth-century Germany: though he worked away from the major cities, as conductor, teacher, organist, organiser and composer, he was an indispensable element of the communities in which he worked. His large body of organ music, as good as unknown before now, brings together elements of the musical language of Bach, Mendelssohn and Schumann, in works that range from the intimate to the grandiose.This second volume brings some of his many transcriptions to the fore.
Celebrating the life-giving power of light, the Lux Quartet is an exploratory new quartet co-led by two of the most celebrated and visionary artists in modern improvised music: pianist Myra Melford and drummer Allison Miller. Drawing on a shared passion for the preservation of nature and a boundary-stretching approach to music, the two innovative composers and bandleaders are joined by saxophonist Dayna Stephens and bassist Scott Colley, together crafting a sonic environment that glows with its own intense yet nurturing radiance.
Quasar Lux Symphoniae performs a refined music with elaborated and successful arrangements and subtle melodic inspiration in the compositions. The Dead Dream is the first lysergic trip of Quasar L.S. (before Lux Symphoniae's majestic works), originally dated 1977, recorded again in 1995 because the original tapes were lost, with absolute respect of the original recordings. A psychedelic pearl in a concept album. A visionary and dramatic story too. Not only the psychodrama of Roxy, maybe a soundtrack and an epitaph for the death of the lysergic and hippy dream.