Ray Charles' seminal recordings for Atlantic have been boxed once before, as the triple-disc 1991 set The Birth of Soul. That box contained 53 tracks, the best moments of what is arguably the best period of Charles' career, but Rhino/Atlantic's 2005 seven-disc sequel, Pure Genius, doesn't bother with merely the highlights: as its subtitle makes clear, this is The Complete Atlantic Recordings (1952-1959). This is undeniably a major historical release, since it gathers all of the recordings Charles made at his creative peak, not just as a leader, but as a sideman for his saxophonist David "Fathead" Newman and sides he recorded with jazz vibraphonist Milt Jackson.
The new 2CD edition of “You Can’t Stop Rock ‘N’ Roll” has been remastered in 2018 especially for this set, and includes three studio bonus tracks; ‘One Man Woman’, ‘Four Barrel Heart Of Love’ and ‘ Feel The Power’ which previously appeared on the B-Side of the ‘You Can’t Stop Rock ‘N’ Roll’ EP. The second CD comprises of their raw and raucous live set from London’s fabled Marquee Club from March 1983. Recorded specifically to be used as B-Sides for the aforementioned ‘I Am (I’m Me)’ and ‘The Kids Are Back’ singles, it appears here in its entirety and newly remastered from the original analogue tapes. As well as the then unreleased ‘I Am (I’m Me)’ and title track from the forthcoming “You Can’t Stop Rock ‘N’ Roll” album, the set includes favourite covers from the Rolling Stones (It’s Only Rock ‘N’ Roll), Slade (‘Let the Good Times Roll’) and Shangri Las (‘Leader Of The Pack’), as well as ‘What You Don't Know (Sure Can Hurt You)’, ‘Sin After Sin’ and ‘Bad Boys (Of Rock 'N' Roll)’ from the “Under The Blade” debut.