Make It Over From Spring 2015

MQR is once again proud to present our newest title, Forever and Ever, a mashup of The Division Bell and The Endless River designed to make The Division Bell less radio-friendly and The Endless River less avant garde. It is intended as a true final Pink Floyd record, an alternate reality version of what should have been released in 1994.

Preoccupations is a Canadian post-punk band from Calgary, Alberta, formed in 2012 under the name Viet Cong. The band consists of Matt Flegel (vocals, bass), Scott Munro (guitar, synth), Daniel Christiansen (guitar) and Mike Wallace (drums). The group's musical style has been described as "labyrinthine post-punk".

Originally intended as a side-project, Subsignal were founded back in 2007 by former Sieges Even members Arno Menses (Vocals) and Markus Steffen (Guitars). The first result of this collaboration was a song called ‘A Wallflower On The Day Of Saint Juliana’ which eventually appeared under the title ‘Eyes Wide Open’ on the 2007-Sieges Even-output ‘Paramount’. After Arno and Markus had left the band in the summer of 2008, they immediately started to look for adequate musicians to turn the project into a functional ‘real’ band. The first to join was Ralf Schwager (Bass), who was known for his work with German progmetal outfit Dreamscape. The line-up was completed by the Dutch drummer Roel van Helden (Sun Caged) and keyboarder David Bertok (also Dreamscape).

Formed in 1971 by old schoolmates Dane Stevens and Cedric Sharpley, along with local bass player Neil Brewer, Druid spent years playing clubs as a trio before winning a competition by Melody Maker for the best unsigned band. At this point they added Andrew McCrorie-Shand, a recent London College of Music graduate. The Melody Maker prize included new instruments and a recording contract, and their debut album appeared in July 1975 among envious whispers by rival bands and music publications. The band had a difficult time shaking the charge of hype, and they were also charged in some quarters as being Yes soundalikes – Starcastle in the U.S. was later to be tarred with the same brush.

Originally, this collection was put together in 1972 by Tony Stratton-Smith from outtakes of the Nice's early stay at Immediate Records, and issued (at least, in the U.S.) with no explanation and little annotation, making it a bit confusing to longtime fans of Keith Emerson and the trio. Its timing was also unfortunate, in that a huge cache of record club copies of the Nice's first three albums on Immediate, pressed by Columbia Special Products, had shown up in cut-out bins at just about the same time…

Stephan Micus is a unique figure in music. In his numerous journeys all over the world he seeks to study and understand traditional instruments, the sounds that they produce and the cultures that brought them to life. He then composes original pieces for them, playing all the instruments himself and multi-tracking the compositions in many layers. In this way he combines instruments that would never normally be heard together, chosen from different cultures simply for their character, texture and sonic beauty. Micus’ music is profound, powerful and very original. Songlines magazine described his as “a one man universe of sound.” Nomad Songs is his 21st album for ECM.
While his last album Panagia was a meditative reflection around prayers to the Virgin Mary, this new one, Nomad Songs is more earthy and more vigorous.