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Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, Edouard Lestingois (Charles Granval). The Lestingois family decides to take in the irrepressible bum, and he shows his gratitude by shaking the household to its foundations. With Boudu Saved from Drowning, legendary director Jean Renoir takes advantage of a host of Parisian locations and the anarchic charms of his lead actor to create an effervescent satire of the bourgeoisie.

This film was the winner of the All-Union Film Festival prize, and was extremely popular in the Soviet Union. This was the last film made by writer/director/actor Vasili Shukshin, who was a leading exponent of the Russian traditionalist cultural movement which idealized the simplicity of rural, village life. It is based on his novel of the same name. Shukshin died in 1974, the year the film was released. While Kalina krasnaya clearly favors the simple life, it does not embellish or overly glorify this theme, unlike official party films in praise of workers; this may partly account for its popularity. Duty, guilt, delayed redemption and retribution are the themes of this movie, which has resonances with Dostoevsky’s works….

Mister Roberts is aboard a US cargo ship, working in the Pacific during the Second World War. He'd do anything to leave the quiet of the ship to join in the "action". Trouble is, the captain of the ship, is a bit of a tyrant, and isn't willing to sign Roberts' transfer requests. Also on board is Ensign Pulver, who avoids work as best he can, whilst living off the riches of his buying and selling. Roberts and the crew are in constant battle, even over the smallest of disagreements.

Veronica and Boris are blissfully in love, until the eruption of World War II tears them apart. Boris is sent to the front lines…and then communication stops. Meanwhile, Veronica tries to ward off spiritual numbness while Boris’s draft-dodging cousin makes increasingly forceful overtures. Winner of the Palme d’Or at the 1958 Cannes Film Festival, The Cranes Are Flying is a superbly crafted drama, bolstered by stunning cinematography and impassioned performances.

Jacques Laurent made pornographic films in the 1970's and '80's, but had put that aside for 20 years. His artistic ideas, born of the '60's counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself…

The cautionary tale of an innocent girl abroad who gets caught up in the sleazy world of modelling, Her Private Hell was the debut feature of British exploitation director Norman J Warren (Satans Slave, Prey and Terror) and the UK's first narrative sex film.

The legend of "Loving Fireworks" which never launched for the second time. Now, a miracle for separated lovers is about to begin as heaven and earth intersect??K Heaven's Bookstore is a fantastic and heartrending love story that combines two best selling novels, "Heaven's Book Service" (Tengoku no Honya) and "Loving Fireworks" (Koibi) respectively. It is a tale depicting how love travels and spreads from one person to another, and shows love that exists in many forms on Earth and in Heaven.

Johnny McQueen, leader of a clandestine Irish organization, has been hiding in the house of Kathleen and her mother, planning a hold-up that will provide his group with the funds needed to continue its activities. During the hold-up, things go sour: Johnny is wounded, cannot make it back to the hideout, and disappears in the back-alleys of Belfast. Immediately, a large-scale man-hunt is launched, and the city is tightly covered by the constabulary, whose chief is intent on capturing Johnny and the other members of the gang. Kathleen sets out in search of Johnny.

A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island's population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, It's the Earth not the Moon develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea.

When man-about-town Saheiji (the beloved comedian Frankie Sakai) finds himself unable to pay for a bill at a brothel, he is forced to remain there to work off his debt. However he finds his wit and resourcefulness enable him to turn this situation to his advantage, as he interacts with a whole range of characters, from rivalling courtesans to political activists.