The Tikiyaki Orchestra exist in a class by themselves. There really is no other band quite like them on the planet. They take the Exotica tradition as established by pioneers Denny, Lyman and Baxter and bring it into the 21st century. Their unmistakable sound is a blend of the coolest retro styles–exotica, lounge, space-age bachelor pad, crime jazz, spy, surf, spaghetti western and more. They headline sold out shows, have appeared at the major Tiki festivals and have had their music featured in numerous television shows and Tiki documentaries.
Missa Johnouchi (城之内 ミサ; Jōnouchi Misa) is a composer, pianist, conductor and singer who creates Asian-styled new-age music. . Missa Johnouchi was named UNESCO Artist for Peace in August 2006.
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. Considering the artistry of the late Eric Dolphy and the popularity of the late Herbie Mann, Laws is notably in the company of the most recognized and respected jazz flutists in the history of jazz, (also the most imitated). Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another…
Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.
The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.
Ignored by the majority but adored by a faithful, modest few, Failsworth, Manchester's Puressence were something of a contradiction in terms. Although they shared a laddish image and an implied arrogance with the mid-'90s incarnations of other north west England indie rock acts such as Oasis and the Charlatans, the high-register, ethereal vocals of frontman James Mudriczki pointed to something altogether more sophisticated. Claims that the band met on a bus on the way to the Stone Roses' legendary May 1990 gig at Spike Island, helped fuel and maintain their down-to-earth credentials, while in contrast their music represented a transcendence of the mundane – similarly executed during this period by acts such as Aberdeen, Scotland's Geneva, and later by Southampton's the Delays.
The eight-CD collection will gather all of the band’s six studio albums (Suede, Dog Man Star, Coming Up, Head Music, A New Morning, Bloodsports) as well as the classic B-side compilation Sci-Fi Lullabies (across two discs).
Suede are an English alternative rock band formed in London in 1989. The group is composed of singer Brett Anderson, guitarist Richard Oakes, bass player Mat Osman, drummer Simon Gilbert and keyboardist/rhythm guitarist Neil Codling.