In 2009, together with Moroccan oud and guembri virtuoso Majid Bekkas and Spanish percussionist Ramon Lopez, Joachim Kühn recorded "Out of the Desert", the follow-up to their celebrated debut "Kalimba" which was described as "pure magic" (Jazzthetik). "Out of the Desert", praised for its "previously unheard sound" (Kulturspiegel) went on to win the German Record Critics Award. It was this "desert jazz", which culminated in 2011 with the powerfully organic and incredibly intense "Chalaba", that Stötzler suggested that Kühn transpose this to a greater dimension, that the trio’s African inspired improvisations should fuse with the diverse sound repertoire of the big band. Kühn was immediately taken with the idea of playing with the Frankfurter big band because, as he says, "they put their whole heart and soul in it"…
Norwegian rock n' roll warriors Wig Wam return with a new album, "Out Of The Dark". Coming on the heels of renewed, enthusiastic interest in the band thanks to their classic track 'Do Ya Wanna Taste It' being used as the theme song for HBO's popular Peacemaker television series, "Out Of The Dark" sees an already extremely talented band feeling truly reinvigorated and inspired. Wig Wam, vocalist Glam (Åge Sten Nilsen), guitarist Teeny (Trond Holter), bassist Flash (Bernt Jansen), and drummer Sporty (Øystein Andersen), formed in Halden, Norway in 2001 and have been mixing '80s inspired glam metal with classic hard rock, with entertaining lyrics and over-the-top imagery thrown in, to create a good old fashioned rock n' roll vibe for over two decades.
This is the sound, the story, of the M’berra Ensemble, a collective of Malian musicians from the M’berra Refugee Camp in southeast Mauritania, and Italian producer and electro-shaman Khalab. In a sprawling tent city rising out of the desert, out of nothingness, at the border with Mali in West Africa, brought together by spirit and circumstance, the group’s Arab and Tuareg members — some unknown, some who have previously toured Europe — find solace and beauty in music and song.
This is the sound, the story, of the M’berra Ensemble, a collective of Malian musicians from the M’berra Refugee Camp in southeast Mauritania, and Italian producer and electro-shaman Khalab. In a sprawling tent city rising out of the desert, out of nothingness, at the border with Mali in West Africa, brought together by spirit and circumstance, the group’s Arab and Tuareg members — some unknown, some who have previously toured Europe — find solace and beauty in music and song.